ENGL3080 Images of Women 1890-1939
In this module you will study a number of fictional works as well as psychoanalytical texts paying particular attention to changing images of women in differing historical and cultural contexts in the US and Europe between 1890 and 1939. Themes such as the New Woman, female subjectivity, racial identity, and female sexuality will be consolidated and developed through detailed textual and theoretical analysis. In addition, you will be analysing developments in medical discourse on gender and mental pathology, e.g. hysteria, underpinned by Freudian, contemporary feminist and psychoanalytic theory.
Aims and Objectives
• enable you to develop awareness, understanding and knowledge of images of women in literary and psychoanalytical texts from 1890-1939 • provide you with opportunities to draw upon theoretical, critical and reading skills in the specific areas of gender, subjectivity, sexuality, and mental pathology • consider particular questions posed about female identities in selected fictional and non-fictional texts • develop your skills in writing analytical essays to particular word limits and deadlines
Cultural representations of women shed important light on notions of female subjectivity, sexuality and racial identity in the modern world. Medical discourses on gender, mental pathology and the rise of modern feminism are just some of the pivotal histories that can be traced through images of women in this period. Works by H. G. Wells, Virginia Woolf and Sigmund Freud highlight the influences fiction, feminist criticism, and psychoanalytic theory had in moulding and recasting images of women, as they appeared in American and European cultural contexts at the turn of the century. We will study the following texts: • H.G. Wells, Ann Veronica (Penguin Classics or any other edition)  • Kate Chopin, The Awakening (Oxford World Classics)  • Charlotte Perkins Gilman, Herland (Women’s Press Classics or any other edition)  • Virginia Woolf, A Room of One’s Own (Penguin Popular Classics)  • Virginia Woolf, Mrs Dalloway (Penguin Popular Classics) • Jean Rhys, Good Morning, Midnight (Penguin)  • Zora Neale Hurston, Their Eyes Were Watching God (Virago Modern Classics)  • Charlotte Perkins Gilman, The Yellow Wallpaper (Virago Modern Classics) 
• Background lectures are the means by which you are introduced to the works of the selected authors, the historical and cultural contexts, and the key course themes • The seminars, which follow the lectures seamlessly, will be strongly student-centred, giving you the opportunity to pursue key themes raised in lectures in depth through particular tasks and informed discussion with your peers.
Learning and Teaching
Teaching and learning methods
Introductory lecture followed by small group and large discussions. This module will be taught as a double seminar (90-minute session). Teaching methods include • Weekly contextual lectures/seminars (90 minutes) • Individual consultations Learning activities include: • Taking notes in lectures and seminars • Individual study and research • Contributing to seminar discussions • Working as part of a group to lead a seminar
|Wider reading or practice||30|
|Preparation for scheduled sessions||50|
|Total study time||150|
Resources & Reading list
Charles Bernheimer (ed.) (1990). In Dora's Case.
Lisa and John Forrester (eds) (2001). Freud’s Women.
Elizabeth Abel (1996). Virginia Woolf and the Fictions of Psychoanalysis.
Jane M. Ussher, Jane M (1991). Women’s Madness: Misogygny or Mental Illness?.
Delia C. Konzett (2002). Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the aesthetics of dislocation.
David Rubinstein (1996). Before the suffragettes: women's emancipation in the 1890s.
Joy James, (ed.) (2000). The Black Feminist Reader.
Maroula Joannou (1995). "Ladies, please don't smash these windows”: women's writing, feminist consciousness and social change 1918-38.
Sally Ledger (1997). The New Woman Fiction and feminism at the fin de siècle.
The group will be given clear guidance and advice in seminars prior to beginning your assessed work, and there will be opportunities for you by individual appointment with the tutor to discuss your research for your assessment. The first piece of coursework will require you to analyse the work of one writer, and will enable you to demonstrate your knowledge of and responsiveness to relevant secondary sources in a sustained, clearly illustrated argument. The second piece of coursework will allow you more scope and enable you to focus on two or three texts to explore specific literary, thematic and/or theoretical issues.
|Essay (2000 words)||50%|
|Essay (2000 words)||50%|
|Essay (2000 words)||100%|
Repeat type: Internal & External
Costs associated with this module
Students are responsible for meeting the cost of essential textbooks, and of producing such essays, assignments, laboratory reports and dissertations as are required to fulfil the academic requirements for each programme of study.
In addition to this, students registered for this module typically also have to pay for:
Books and Stationery equipment
Students are expected to buy the primary texts
Please also ensure you read the section on additional costs in the University’s Fees, Charges and Expenses Regulations in the University Calendar available at www.calendar.soton.ac.uk.