Publications

You can browse a selection of publications below or browse all publications in our ePrints repository.

Books

Hunt, V. (2019). The Victorian eBook: literature and electrical technologies of representation, 1875-1910. Edinburgh University Press.
Hayden, S. (2018). Curious Disciplines: Mina Loy and Avant-Garde Artisthood. (Recencies: Research & Recovery in Twentieth-Century American Poetics). Albuquerque: University of New Mexico Press.
Hayden, S., & Hegarty, P. (2018). Peter Roehr- Field Pulsations: Avant-Garde Artist of the 1960s. Snoeck Verlagsgesellschaft mbH.
Clery, E. (2017). Eighteen hundred and eleven: poetry, protest and economic crisis. (First ed.) (Cambridge Studies in Romanticism). Cambridge: Cambridge University Press.
Baum, D. (2017). Feeling Jewish (a Book for Just About Anyone). New Haven: Yale University Press.
Placey, E., & Stevenson, R. L. (2017). Jekyll & Hyde. Nick Hern Books.
Clarke, C. (Ed.) (2017). Power, identity and miracles on a medieval frontier. Routledge.
May, W. (Ed.) (2017). Reading F.T. Prince. (Liverpool English Texts and Studies; No. 67). Liverpool: Liverpool University Press.
Hoare, P. (2017). RISINGTIDEFALLINGSTAR. London: Fourth Estate.
Baum, D. (2017). The Jewish Joke: an essay with examples (less essay, more examples). London: Profile Books.
Wahlgren-Smith, L. (2017). The letter collections of Nicholas of Clairvaux. Oxford, GB: Oxford University Press.
Placey, E. (2016). Girls like that and other plays for teenagers. London, GB: Nick Hern Books.
Placey, E. (2016). Holloway Jones. Montreuil, FR: Editions Theatrales.
McGavin, J. J., & Walker, G. (2016). Imagining spectatorship: from the mysteries to the Shakespearean stage. (Oxford Textual Perspectives). Oxford, GB: Oxford University Press.
Gill, C. (2016). Olive Schreiner and the politics of print culture, 1883-1920. Edinburgh University Press.
Hammond, M., & Sloan, B. (Eds.) (2016). Rural-urban relationships in the nineteenth century: uneasy neighbours? Abingdon, GB: Routledge.
Smith, R. (2016). The Jane Austen writers' club: inspiration and advice from the world's best-loved novelist. London, GB: Bloomsbury Publishing.
Dow, G., & Batchelor, J. (Eds.) (2016). Women's writing 1660-1830 - feminisms and futures. Palgrave Macmillan.
Turnbull, A., & Hoare, P. (2015). Another green world: Linn Botanic Gardens: encounters with a Scottish Arcadia. London, GB: Art/Books.
Placey, E. (2015). Consensual. London, GB: Nick Hern Books.
Jordan, J. (2015). From Nuremberg to Hollywood: the Holocaust in the courtroom of American fictive film. Middlesex, GB: Vallentine Mitchell.
Prince, F. T., & May, W. (Ed.) (2015). In Keats country. London, GB: Perdika Press.
Hoare, P. (2015). Leviatã: em busca dos gigantes do mar. Lisbon, PT: Cavalo de Ferro.
Middleton, P. (2015). Physics envy: American poetry and science in the Cold War and after. Chicago, US: Chicago University Press.
May, W. B. (Ed.), & Smith, S. (2015). The collected poems and drawings of Stevie Smith. London, GB: Faber.
Burns, C. (2015). The missing woman and other stories. Cardigan, Wales: Parthian.
Rock, S., Harder, M., & Hoare, P. (2015). Tough and tender: English seascapes. Heidelberg, DE: Kehrer.
O'doherty, M., & Schmieder, F. (Eds.) (2015). Travels and mobilities in the Middle Ages: from the Atlantic to the Black Sea. (International Medieval Research; No. 21). Turnhout, BE: Brepols.
Hayden, S. (2014). Insel by Mina Loy. (The Neversink Library). New York: Melville House Press.
Eardley, A. (Ed.) (2014). Lady Hester Pulter: poems by the noble hadassah and the unfortunate florinda. (The Other Voice in Early Modern Europe). Toronto, CA: Centre for Reformation and Renaissance Studies.
Placey, E. (2014). Pronoun. London, GB: Nick Hearn.
Crosthwaite, P., Knight, P., & Marsh, N. (Eds.) (2014). Show me the money: the image of finance, 1700 to the present. Manchester, GB: Manchester University Press.
Bending, S. (Ed.) (2013). A cultural history of gardens. Vol. 4: A cultural history of gardens in the Age of Enlightenment. (The Cultural Histories Series). London, GB: Bloomsbury.
Hoare, P. (2013). El mar interior. Barcelona, ES: Atico de los Libros.
Placey, E. (2013). Girls Like That. London, GB: Nick Hern Books.
Jordan, J., & Lanicek, J. (Eds.) (2013). Governments-in-exile and the Jews during the Second World War. Middlesex, GB: Vallentine Mitchell.
Bending, S. (2013). Green Retreats. Women, gardens and eighteenth-century culture. Cambridge, GB: Cambridge University Press.
Hoare, P., Sacchi, D., (TRANS.), & Civalleri, L., (TRANS.) (2013). Leviatano, ovvero, la balena. Torino, IT: Einaudi.
Hoare, P. (2013). Leviathan oder Der Wal. Hamburg, DE: Mare Verlag.
Placey, E. (2013). Mother of Him. New York, US: Samuel French.
O'Doherty, M. (2013). The Indies and the Medieval West: thought, report, imagination. (Medieval Voyaging; No. 2). Turnhout, BE: Brepols.
Brown, D. (2013). The poetry of Victorian scientists: style, science and nonsense. (Cambridge Studies in Nineteenth-Century Literature and Culture; No. 83). Cambridge, GB: Cambridge University Press.
Hoare, P. (2013). The sea inside. London, GB: Fourth Estate.

Book Chapters

Brown, D. (2019). Mathematics and poetry in the nineteenth century. In R. Tubbs (Ed.), Palgrave Handbook of Literature and Mathematics Basingstoke: Palgrave Macmillan.
Clery, E. (2018). "That is Capital”: views of London in Pride and Prejudice. In C. Robert (Ed.), Jane Austen’s Geographies [8] (Routledge Studies in Nineteenth Century Literature). New York: Routledge.
Jordan, J. (2018). ‘The most varied, colourful, confusing hubub in the world’: The East End, Television and the Documentary Imagination, July 1939. In J. Craig-Norton, A. Kushner, & C. Wiesse (Eds.), Migrant Histories: Histories from the 17th to the 21st Centuries: : Essays in Honour of Colin Holmes (Routledge Studies in Radical History and Politics). Routledge.
Marsh, N. (2018). Afterword: Modelling the political economy in the twenty-first century. In Political Economy, Literature and the Formation of Knowledge, 1720-1850 (pp. 220-231). Taylor and Francis. DOI: 10.4324/9781351009522
Morton, S. (2018). Colonial violence, law, and justice in Egypt. In A. Ball, & K. Mattar (Eds.), The Postcolonial Middle East Edinburgh: Edinburgh University Press.
Kerr, M. (2018). Developing fluid: precision, vagueness and Gustave Le Gray’s photographic beachscapes. In M. Ingleby, & M. P. M. Kerr (Eds.), Coastal Cultures of the Long Nineteenth Century (pp. 200-224). (Edinburgh Critical Studies in Victorian Culture). Edinburgh: Edinburgh University Press.
Marsh, N. (2018). Gender, exchange and reproduction. In M. Chihara , & M. Seybold (Eds.), The Routledge Companion to Literature and Economics New York : Routledge.
Kerr, M., & Ingleby, M. (2018). Introduction. In M. P. M. Kerr, & M. Ingleby (Eds.), Coastal Cultures of the Long Nineteenth Century (pp. 1). (Edinburgh Critical Studies in Victorian Culture). Edinburgh: Edinburgh University Press.
Marsh, N. (2018). Modelling the political economy in the Twenty First Century. In R. Adelman, & C. Packham (Eds.), Political Economy, Literature and the Formation of Knowledge, 1720-1850 (Routledge Studies in Eighteenth-Century Literature). Routledge.
Morton, S. (2018). Multicultural neoliberalism, global textiles, and the making of the indebted female entrepreneur in Monica Ali’s Brick Lane. In A. Yaqin, P. Morey, & A. Soliman (Eds.), Muslims, Multiculturalism, and Trust: New Directions (Palgrave Politics of Identity and Citizenship Series). Basingstoke: Palgrave Macmillian.
Sloan, W. (2018). Northern Irish autobiography since 1960. In L. Harte (Ed.), A History of Irish Autobiography Cambridge, GB: Cambridge University Press. DOI: 10.1017/9781316443279.019
Middleton, P. (2018). Peter Gizzi's radical irony. In A. Caleshu (Ed.), In the Air: essays on the poetry of Peter Gizzi (pp. 179-192). Middletown, CT.
Dow, G. (2018). Sentiment From abroad: French novels after 1748. In A. J. Rivero (Ed.), The Sentimental Novel in the Eighteenth Century Cambridge University Press.
Bending, S. (2018). Symbolic and cultural uses of plants in eighteenth-century writing. In A Cultural History of Plants: The Age of Enlightenment Bloomsbury.
Hoare, P. (2018). The Unfinished World. In T. Dee (Ed.), Ground Work: Writings on People and PLaces London: Jonathan Cape.
Williams, L. (2017). "The Iron Lady": Politics and/in performance. In R. B. Palmer, & H. B. Pettey (Eds.), Biopics and British National Identity New York: State University of New York (SUNY) Press.
Williams, L. R. (2017). "Who am I, David?": Motherhood in Spielberg's Dramas of Family Dysfunction. In N. Morris (Ed.), A Companion to Steven Spielberg (pp. 243-257). Chichester: Wiley Blackwell.
Hunt, V. (2017). “A present from the Crystal Palace”: souvenirs of Sydenham, miniature views and material memory. In K. Nichols, & S. Turner (Eds.), After 1851: The Material and Visual Cultures of the Crystal Palace of Sydenham Manchester, GB: Manchester University Press.
O'doherty, M. (2017). Convergence entre récit de voyage et géographie: la version latine ‘Vulgate’ du Livre de Jean de Mandeville. In D. Coulon, & C. Gadrat-Ouerfelli (Eds.), Le voyage au Moyen Âge : quête individuelle et description du monde Presses Universitaires de Provence.
Clery, E. (2017). Free market feminism? The political economy of women’s writing. In J. Batchelor, & G. Dow (Eds.), Women's Writing 1660-1830: Feminisms, Fictions and Futures (2016 ed., pp. 43-60). London: Palgrave Macmillan.
Hammond, M. (2017). Great Expectations. In J. Jordan, R. Patten, & C. Waters (Eds.), The Oxford Handbook of Charles Dickens Oxford: Oxford University Press.
Simpson, K. (2017). Manley's Queer Forms: Repetition, techno-performativity, and the body. In A. Hultquist, & E. J. Mathews (Eds.), New Perspectives on Delarivier Manley and Eighteenth Century Literature: Power, Sex, and Text (pp. 106-121). (Routledge Studies in Eighteenth-Century Literature). Abingdon, Oxon and New York: Routledge.
Jones, S. (2017). Narrative and legal plurality in postcolonial nations: chapter and verse from the East African Court of Appeal. In K. Dolin (Ed.), Law and Literature (Critical Concepts). Cambridge: Cambridge University Presss.
Marsh, N. (2017). Seeing is believing: a visual history of the gold standard. In A. Tynan, L. Milesi, & C. J. Muller (Eds.), Credo Credit Crisis: Speculations on Faith and Money (Critical Perspectives on Theory, Culture and Politics). Lanham, US: Rowman and Littlefield International.
May, W. (2017). The ballooning tradition of American poetry. In T. Stubbs, & D. Haynes (Eds.), Navigating the Transnational in Modern American Literature and Culture Abingdon, GB: Routledge.
Marsh, N. (2016). ‘t’was only a balloon’: seeing and satire in the cultural history of money. In Cultural History of Money: Vol 5 (pp. 1-19). London, GB: Bloomsbury Press.
King, R. (2016). ‘What is aught but as ‘tis valued?’: problems of value and unequal exchange in The Merchant of Venice, Troilus and Cressida, and Cymbeline. In The Shakespeare International Yearbook London, GB: Routledge.
Hanson, C. (2016). A catastrophic universe: lessing, posthumanism and deep history. In Doris Lessing and the Forming of History (pp. 1-13). Edinburgh, GB: Edinburgh University Press.
Sloan, B. (2016). Country bumpkin or backbone of the nation? the urbanisation of the agricultural labourer and the "unmanning" of the English in the later nineteenth century. In M. Hammond, & B. Sloan (Eds.), Rural-Urban Relationships in the Nineteenth Century: Uneasy Neighbours? Abingdon, GB: Routledge.
Ossa-Richardson, A. (2016). Dissenting Theology, Dissenting Style: Edward Harwood's Liberal Translation of the New Testament and its Critics. In Eighteenth-Century Thought (Vol. 6, pp. 83-113). AMS Press.
May, W. (2016). Drawing away from Lear: Stevie Smith's Deceitful Echo. In M. Bevis, & J. Williams (Eds.), Edward Lear and the Play of Poetry Oxford, GB: Oxford University Press.
Clarke, C. (2016). Imagining medieval Chester: practice-based medievalism, scholarship, and creativity. In K. Fugelso, J. Davies, & S. Salih (Eds.), Studies in Medievalism XXV: Medievalism and Modernity (pp. 115-134). D.S. Brewer.
Hanson, C. (2016). Introduction. In Katherine Mansfield and Psychology (pp. 1-10). Edinburgh, GB: Edinburgh University Press.
Hammond, M., & Sloan, B. (2016). Introduction. In M. Hammond, & B. Sloan (Eds.), Rural-Urban relationships in the Nineteenth Century: Uneasy Neighbours? Abingdon, GB: Routledge.
Hanson, C. (2016). Katherine Mansfield and vitalist psychology. In Katherine Mansfield and Psychology (pp. 1-15). Edinburgh, GB: Edinburgh University Press.
O'Doherty, M., Gascoigne, A. L., & Hicks, L. (2016). Medieval routes: journeys through space and scholarship. In Journeying along Medieval Routes in Europe and the Middle East (pp. 0-22). (Medieval Voyaging; No. 3). Turnhout, BE: Brepols.
Hammond, M. (2016). Pip at the fingerpost: nineteenth–century urban–rural relations and the reception of Dickens’s Great Expectations, 1860–1885. In M. Hammond, & B. Sloan (Eds.), Rural-Urban relationships in the Nineteenth Century: Uneasy Neighbours? Abingdon, GB: Routledge.
Brazil, K. (2016). Sequence, series and character in Children of Violence. In K. Brazil, D. Sergeant, & T. Sperlinger (Eds.), Doris Lessing and the Forming of History Edinburgh, GB: Edinburgh University Press.
Richardson, A. (2016). The naked truth of scripture: André Rivet between Bellarmine and Grotius. In H. Nellen, J. Touber, D. Van Miert, & P. Steenbakkers (Eds.), Scriptural Authority and Biblical Criticism in the Dutch Golden Age: God's Word Questioned: God's Word Questioned (pp. 109-130). Oxford: Oxford University Press.
Baum, D. (2016). The return of religion: secularization and its discontents. In M. Knight (Ed.), The Routledge Companion to Literature and Religion (pp. 80-88). Oxford, GB: Routledge.
Clery, E. (2015). Anna Letitia Barbauld and the ethics of free trade imperialism. In M. Canuel (Ed.), British Romanticism: Criticism and Debates (First ed., pp. 349-59). London; New York: Routledge.
Bending, S. (2015). Anne Plumptre and the destruction of Lyons. In I. Baoudino (Ed.), Les Voyageuses britannique à Lyon: regards sur une ville en mutation Paris, FR: Editions L'Harmattan.
Jordan, J. (2015). Another man’s faith? The image of Judaism in the BBC television series Men Seeking God. In H. Ewence, & H. Spurling (Eds.), Visualizing Jews Through the Ages: Literary and Material Representations of Jewishness and Judaism (pp. 247-264). New York and Oxford: Routledge.
Brown, D. (2015). Being and naughtiness. In J. Williams, & M. Bevis (Eds.), Edward Lear and the Play of Poetry Oxford, GB: Oxford University Press.
Cobb, S. (2015). Black women, romance and the indiewood rom coms of Sanaa Hamri. In L. Badley, C. Baron, & M. Schreiber (Eds.), Indie Reframed: Women Filmmakers And Contemporary American Cinema Edinburgh, GB: Edinburgh University Press.
Hayden, S. (2015). Chronology of modernist poetry. In A. Davis, & L. Jenkins (Eds.), A History of Modern Poetry (pp. xix-xxxviii). Cambridge, GB: Cambridge University Press.
Hanson, C. (2015). Fiction: from Realism to Postmodernism and beyond. In M. Eagleton, & E. Parker (Eds.), A History of British Women's Writing. Volume 10 London, GB: Palgrave Macmillan.
Williams, L., Pomerance, M. (Ed.), & Palmer, R. B. (Ed.) (2015). George Cukorʹs Theatrical Feminism: Gaslight, Heller in Pink Tights, A Life of Her Own, and A Star is Born . In M. Pomerance, & R. B. Palmer (Eds.), George Cukor: Hollywood Master (pp. 139-155). Edinburgh: University of Edinburgh Press. DOI: 10.3366/j.ctt16r0jk5
O'doherty, M., & Schmieder, F. (2015). Introduction: travels and mobilities in the Middle Ages: From the Atlantic to the Black Sea. In Travels and Mobilities in the Middle Ages: From the Atlantic to the Black Sea (pp. ix-xliii). (International Medieval Research; No. 21). Turnhout, BE: Brepols.
Williams, L. R. (2015). Jane Fonda, power nuptials and the project of ageing. In S. Cobb, & E. Neil (Eds.), First Comes Love: Power Couples, Celebrity Kinship and Cultural Politics (pp. 295-312). London, GB: Bloomsbury Academic.
Hayden, S., de Luca, Z., & Doucet, E. (2015). Jens Presser's Performative Personae. In L. Vermeersch (Ed.), Personally, I'm Most Interested in the Shapes and Colours (pp. 194-211). Ghent: Aramer/Kunstraum Ossastrasse.
O'Doherty, M. (2015). Law and lawlessness in late-medieval representations of the Indian Ocean World. In N. Lombart, & J. Clotilde (Eds.), Les Nouveaux Mondes juridiques, dans la littérature et l’histoire (Moyen Âge - XVIIe siècle) (pp. 25-55). (Collection POLEN). Paris, FR: Garnier.
Bygrave, S. (2015). L'Exception Anglaise: Joseph Priestley abroad and Romantic poetics. In S. Clark, & T. Connolly (Eds.), Early British Romanticism in a Continental Perspective: Into the Eurozone (pp. 113-132). London, GB: Palgrave.
Baum, D. (2015). Life writing and the East End. In D. Brauner, & A. Stähler (Eds.), The Edinburgh Companion to Modern Jewish Fiction (pp. 221-236). Edinburgh, GB: Edinburgh University Press.
Bending, S. (2015). Literature and landscape in the eighteenth century. In Oxford Handbooks Online Oxford, GB: Oxford University Press. DOI: 10.1093/oxfordhb/9780199935338.013.133
Burns, C., & Llewelyn, B. (2015). Long division. In B. Llewelyn (Ed.), Secondary Character and Other Stories Cardiff, GB: Opening Chapter.
Ossa-Richardson, A. (2015). Missy, César de. In Oxford Dictionary of National Biography Oxford University Press, Oxford.
Baum, D. (2015). Nothing and the Jews. In H. Ewence, & H. Spurling (Eds.), Visualizing Jews Through the Ages: Literary and Material Representations of Jewishness and Judaism (pp. 78-90). Oxford: Routledge.
McGavin, J. J. (2015). Plays on the Move. In E. Dutton, & J. McBain (Eds.), Drama and Pedagogy in Medieval and Early Modern England (pp. 111-129). Narr Francke Attempto Verlag GmbH + Co. KG.
Hanson, C. (2015). Postscript. In British Women's Short Story Writing (pp. 193-198). Edinburgh, GB: Edinburgh University Press.
King, R. (2015). Shakespeare and the historians: the writing of Henry V. In A. Curry, & M. Mercer (Eds.), The Battle of Agincourt (pp. 235-249). New Haven, US: Yale University Press, in association with Royal Armouries.
Williams, L. R. (2015). Shortbus: smart cinema and sexual utopia. In L. Coleman (Ed.), Sex and Storytelling in Modern Cinema (pp. 95-117). (International Library of the Moving Image). London, GB: I.B. Tauris.
Hanson, C. (2015). The maternal body. In D. Hillman, & U. Maude (Eds.), The Cambridge Companion to the Body in Literature (pp. 87-100). (Cambridge Companions to Literature). Cambridge, GB: Cambridge University Press.
Clery, E. (2015). The Novel in the 1750s. In P. Garside, & K. O'Brien (Eds.), The Oxford History of the Novel in English: English and British Fiction 1750-1820 (First ed., Vol. 2, pp. 73-91). [4] (Oxford History of the Novel in English). Oxford: Oxford University Press.
Dow, G. (2015). Translations. In P. Sabor (Ed.), The Cambridge Companion to Emma Cambridge, GB: Cambridge University Press.
Middleton, P. (2015). Warring clans, podsolized ground: language in contemporary UK poetry. In A. Lang, & D. N. Smith (Eds.), Modernist Legacies: Trends and Faultlines in British Poetry Today (Modern and Contemporary Poetry and Poetics). London, GB: Palgrave Macmillan.
Sloan, B. (2014). "Between Two Civilizations": George Sturt's Constructions of Loss and Change in Village Life. In G. Goodman, & C. Mathieson (Eds.), Gender and Space in Rural Britain, 1840-1920 (pp. 25-40). (Warwick Series in the Humanities; No. 3). Pickering and Chatto.
Bygrave, S. (2014). ”Hallowed by the occasion of the meeting”: Priestley, Meetings, Utility and Address in Barbauld’s Poetry in the 1790s. In W. M. McCarthy, & O. Murphy (Eds.), Anna Letitia Barbauld: New Perspectives (pp. 127-149). Lewisburg: Bucknell University Press.
Hammond, M. (2014). Book history in the reading experience. In L. Howsam (Ed.), The Cambridge Companion to Book History (pp. 237-252). (Cambridge Companions to Literature). Cambridge, GB: Cambridge University Press.
Clarke, C. (2014). Crossing the Rubicon: Writing Civil War in Twelfth-Century England. In L. Ashe, & I. Patterson (Eds.), Essays and Studies 2014: War and Literature (pp. 61-83). Martlesham, GB: D.S. Brewer.
Marsh, N. (2014). Debt and credit. In P. Crosthwaite, P. Knight, & N. Marsh (Eds.), Show me the money: the Image of Finance, 1700 to the present Manchester, GB: Manchester University Press.
May, W. (2014). F.T. Prince. In J. Parini (Ed.), British Writers XX (pp. 207-222). New York, US: Scribner's.
Morton, S. (2014). From a postcolonial critique of reason to a critique of postcolonial reason. In P. Bilimoria, & D. Al-Kassim (Eds.), Postcolonial Reason and Its Critique: Deliberations on Gayatri Spivak's Thoughts (pp. 136-161). Delhi, IN: Oxford University Press.
King, R. (2014). Plays, playing and make-believe: thinking and feeling in Shakespearean drama. In L. Johnson, J. Sutton, & E. Tribble (Eds.), Embodied Cognition and Shakespeare's Theatre: The Early Modern Body-Mind (pp. 27-46). Abingdon, GB: Routledge.
Ossa-Richardson, A. (2014). Sublimity as Resistance to Literary Form in the Early Modern Bible. In S. Prickett (Ed.), The Edinburgh Companion to the Bible and the Arts (pp. 69-87). Edinburgh University Press.
Ossa-Richardson, A. (2014). The Idea of a University and its Concrete Form. In P. Temple (Ed.), The Physical University: Contours of Space and Place in Higher Education (pp. 131-158). Taylor & Francis.
May, W. (2014). Unrest and Silence: the faithless music of the contemporary British novel. In E. Hertz, & J. Roessner (Eds.), Write in Tune: Contemporary Music in Fiction (pp. 227-239). London, GB: Bloomsbury.
Jordan, J. (2013). ‘And the trouble is where to begin to spring surprises on you. Perhaps a place you might least like to remember.’ This is Your Life and the BBC’s images of the Holocaust in the twenty years before Holocaust. In C. Sharples, & O. Jensen (Eds.), Britain and the Holocaust: Remembering and Representing War and Genocide Basingstoke, GB: Palgrave.
Campbell, J. (2013). 'Close your eyes and listen to it': Embers and the difficulties of listening. In P. Fifield, & D. Addyman (Eds.), Samuel Beckett: Debts and Legacies: New Critical Essays (pp. 133-152). (Plays and Playwrights; Vol. 1). London, GB: Bloomsbury, Methuen Drama.
Hoare, P., Marsh, G., Frayling, C., & Kermode, M. (2013). David Bowie then...David Bowie now. [Philip Hoare with Christopher Frayling and Mark Kermode]. In G. Marsh, & V. Broackes (Eds.), David Bowie Is (pp. 283-300). London, GB: V&A Publishing.
Hoare, P. (2013). Homo aquaticus: the half-known life. In A. Farquarson, & M. Clark (Eds.), Aquatopia: The Imaginary of the Ocean Deep (pp. 13-21). London, GB: Tate Enterprises.
Hoare, P., & Colsell, I. (2013). Introduction. In Malicious Damage: The Defaced Library Books of Kenneth Halliwell and Joe Orton (pp. 2-8). London, GB: Donlon Books.
Eardley, A., Archer, J. E., Goldring, E., & Sarah, K. (2013). Material relating to the death and funeral of Queen Elizabeth I: poetry. In E. Goldring, F. Eales, E. Clarke, & J. E. Archer (Eds.), John Nichols's The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources Oxford, GB: Oxford University Press.
May, W. (2013). 'Obscure and Doubtful': Stevie Smith, F.T. Prince and Legacy. In P. Robinson (Ed.), The Oxford Handbook of Contemporary British and Irish Poetry (pp. 77-93). Oxford, GB: Oxford University Press.
Hoare, P. (2013). Philip Hoare muses on John Waters. In K. Irvin, L. A. Brewer, C. Breward, M. L. Miller, & T. Browne (Eds.), Artist/Rebel/Dandy: Men of Fashion (pp. 141-142). (Museum of Art, Rhode Island School of Design). London, GB: Yale University Press.
Middelton, P. (2013). Science and the new American poetry. In J. R. Woznicki (Ed.), The New American Poetry: Fifty Years Later (pp. 171-198). Bethlehem, US: Lehigh University Press.
Clery, E. J. (2013). The novel in the 1750s. In K. O'Brien, & P. Garside (Eds.), The Oxford History of the Novel in English, Volume 2 1750-1820 Oxford, GB: Oxford University Press.
Dow, G. (2013). Translations. In J. Todd (Ed.), The Cambridge Companion to Pride and Prejudice Cambridge, GB: Cambridge University Press.
Morton, S. (2013). Troubling resemblances, anthropological machines, and the fear of wild animals: following Derrida after Agamben. In L. Turner (Ed.), The Animal Question in Deconstruction (pp. 105-123). Edinburgh, GB: Edinburgh University Press.
Morton, S. (2013). Violence, law and justice in the colonial present. In G. Huggan (Ed.), Oxford Handbook to Postcolonial Studies (pp. 179-196). Oxford, GB: Oxford University Press.
Millett, B. (2013). Whatever happened to electronic editing? In V. Gillespie, & A. Hudson (Eds.), Probable Truth: Editing Medieval Texts from Britain in the Twenty-First Century (pp. 39-54). (Texts and Transitions; No. TT 5). Turnhout, BE: Brepols.

Conferences

Kaltsas, K. (2017). She enjoys it, so? Femininity and Motherhood in Late Pynchon. Paper presented at 2017 International Pynchon Week, La Rochelle, France.
Millard, D., Hargood, C., Howard, Y., & Hunt, V. J. (2017). Snowflakes in Scotland: The role of personal reflection in exploring digital poetics and locative s tories. Abstract from MIX 2017, Bath, United Kingdom.
Hayden, S. (2015). The jump [to] convergence/ reviewing re-vue. Paper presented at 'Frequencies' Summer Lecture Series 2015: 'The Authorial Function' at National Sculpture Factory, Cork, Ireland.
Hayden, S. (2014). ‘No cleanly matter’: the artist as degenerate/the degenerate artist in Mina Loy’s Insel. Paper presented at University College Cork School of English Research Seminar, Ireland.
Hayden, S. (2014). “On Curious Disciplines”, 'Recencies' series roundtable on Twentieth-Century American Poetics. Paper presented at MSA 16: Confluence & Division, United States.
Hayden, S. (2014). 'The Creative Life vs. Dictatorship': new world modernists on old world anti-modernism. Paper presented at British Association for Modernist Studies Conference 2014: Modernism Now!, United Kingdom.
Hay, A. (2014). The maritime horror fiction of William Hope Hodgson - archetypes and nuance. In Sea Lines of Communication Conference Proceedings (pp. 44-65). Southampton, GB: University of Southampton.
Hayden, S. (2013). ‘Recovering Modernisms’ panel. MSA 15: The 15th annual Modernist Studies Association, United Kingdom.
Hayden, S. (2013). Jockey God, fat Christ and the spirit [ ] impaled upon the phallus– embodiments of the Anti-Christ in Dada’s anti-art. Paper presented at Eye and Mind Interdisciplinary Research Forum, Ireland.
Hayden, S. (2013). Lenses on the cosmopolitan everyday: Loy, (the Baroness) Elsa von Freytag Loringhoven and glassy poetics. Paper presented at MSA 15: The 15th annual Modernist Studies Association, United Kingdom.
King, R. (2013). What are we doing when we're doing Shakespeare? - the embodied brain in theatrical performance. In M. Prochaska, A. Hofele, H. Scolnicov, & M. Dobson (Eds.), Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the 9th World Shakespeare Conference Delaware, US: University of Delaware Press.

Theses

Perkins, H. E. (2017). ‘Plastic’ perspectives ecocriticism, epigenetics and magic real metamorphoses in the fiction of Suniti Namjoshi, Githa Hariharan and Salman Rushdie Southampton: University of Southampton
Coulson, I. E. (2017). Eighteenth-century garden spaces: sensation, inspiration and imagination Southampton: University of Southampton
Carter, J. D. (2017). Fashioning female authorship in the early nineteenth century: a study of the Epistolary Friendship and Tractarian Fiction of two women from the Hampshire Gentry, 1827-1842 Southampton: University of Southampton
Antoniou, F. (2017). GUILT & The Storyteller and the Truth Southampton: University of Southampton
Sharif, M. M. (2017). Hamlet in Pakistan Southampton: University of Southampton
Ambler-Alderman, R. S. R. (2017). Poetry on the Edge of Chaos:: The ‘Ecosystem’ and the ‘Ecotext’ Southampton
Jarai, M. (2017). Structures of meaning: form and the mundane in the contemporary novel Southampton: University of Southampton
Tan, S. K. A. (2017). The comfort of horror and the ambiguities of youth: contemporary gothic fiction and young readers Southampton: University of Southampton
Bretherick, D. (2017). The Devil's Daughters: Criminology and The Female Offender in Historical Crime Fiction Southampton: University of Southampton
Jonk, G. D. M. (2017). The maritime supernatural of Frederick Marryat, William Clark Russell and William Hope Hodgson Southampton, UK: University of Southampton
Barton, K. W. (2017). The New Forest: setting, sanctuary & the supernatural Southampton: University of Southampton
Found, J. (2016). Geophysical fictions traversing the works of Tim Winton and Cormac McCarthy Southampton
Jahan, A. (2016). I cast no shadow: a creative and critical exploration of Dubai’s South Asian denizen TCK experience Southampton: Universty of Southampton
Smith, S. (2016). Nietzsche and Modernism: Nihilism and meaningless suffering in D. H. Lawrence, Franz Kafka, and Samuel Beckett Southampton: University of Southampton
Henesy, M. L. (2016). Novels of precarity: neoliberal counternarratives in contemporary British women’s fiction Southampton: University of Southampton
Fevyer, D. (2016). Reading the Anthropocene through science and apocalypse in the selected contemporary fiction of J.G. Ballard, Kurt Vonnegut, Cormac McCarthy and Ian McEwan
Dawson, V. (2015). A novel, The Other Way, and critical commentary, ‘How do you Write a True War Story?’
Hughes, C. (2015). Authenticity and alterity: evoking the fourteenth century in fiction
Shimazaki, H. (2015). Free indirect speech in the work of Jane Austen: the previously unappreciated extent and complexity of Austen's free indirect speech and its development from Eighteenth Century fiction
Wilkins, C. (2015). God is (un)dead: religion and identity in post-9/11 vampire narratives
van Loenen, E. (2015). Hasidic Judaism in American literature
Fernandez-Llorente, E. (2015). Material morality: success, material culture and the realist novel, 1848 to 1883
Clarke, C. (2015). Tracing the ethical dimension of postwar British experimental fiction
Egan, C. L. (2014). Community conflict in early-modern South-West England: provincial libels and their performance contexts
Buckley, J. (2014). Maternal impressions: the discourse of maternal imagination in the Eighteenth Century
Osborne, J. B. (2014). Problem families and the welfare state in post-war British literature (1945-75)
Tugba, L. (2014). Shifting perspectives in gender representation: a corporeal study of women’s roles in contemporary Nigerian fiction
Pryor, N. (2014). The 1857 Obscene Publications Act: debate, definition and dissemination, 1857-1868
Guilfoyle, C. (2014). The second sex in the works of Nelson Algren Southampton: University of Southampton
Leggatt, M. (2013). Behind apocalypse: the cultural legacy of 9/11
van Pelt, N. (2013). Play-making on the edge of reality: managing spectator risk in early English drama
Cole, J. (2013). Reading through binoculars and critical commentary: a story about stories
Jones, M. A. (2013). The Blackshaw Chord. Crime fiction, literary fiction: why the demarcation?
Smith, C. (2013). The women come and go, a novel in three parts
Greenfield, D. A. (2013). Violent southern spaces: myth, memory, and the body in literatures of South Africa and the American South

Creative Media and Artefacts

Placey, E. (Author). (2018). Keepy Uppy. tutti frutti productions.
Placey, E. (Author), & Aquino, N. L. (Other). (2016). Scarberia.
Baum, D. (Author), & Appignanesi, J. (Author). (2016). The New Man. The Creative Life Film Company Ltd..
Placey, E. (Author). (2016). WiLd!.
Placey, E. (Author). (2015). Band Wagon.
Placey, E. (Author). (2013). Mother of Him. The Wire - BBC Radio 3 Broadcast, Sat 7 Dec 2013, 21:45.

Website

Bending, S. (Author). (2017). Pleasure in Pleasure Gardens. British Library.

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