Hoare, P. (2013). The sea inside. London, GB: Fourth Estate.
Book Chapters
King, R. (2020). John Marston’s Musical Theatre. In R. King, & D. DaSousa (Eds.), Edinburgh Companion to Literature and Music Edinburgh, GB: Edinburgh University Press.
Hoare, P. (2019). Epilogue: Unravelling. In M. P. M. Kerr, & M. Ingleby (Eds.), Coastal Cultures of the Long Nineteenth Century (pp. 256-269). (Edinburgh Critical Studies in Victorian Culture). Edinburgh, UK: Edinburgh University Press.
Dow, G. (2019). Sentiment From abroad: French novels after 1748. In A. J. Rivero (Ed.), The Sentimental Novel in the Eighteenth Century (pp. 87-106). Cambridge: Cambridge University Press.
Morton, S. (2018). Colonial violence, law, and justice in Egypt. In A. Ball, & K. Mattar (Eds.), The Edinburgh Companion to the Postcolonial Middle East (pp. 160-82). Edinburgh: Edinburgh University Press.
Marsh, N. (Accepted/In press). Gender, exchange and reproduction. In M. Chihara , & M. Seybold (Eds.), The Routledge Companion to Literature and Economics New York : Routledge.
Kerr, M., & Ingleby, M. (Accepted/In press). Introduction. In M. P. M. Kerr, & M. Ingleby (Eds.), Coastal Cultures of the Long Nineteenth Century (pp. 1). (Edinburgh Critical Studies in Victorian Culture). Edinburgh: Edinburgh University Press.
Marsh, N. (2018). Modelling the political economy in the Twenty First Century. In R. Adelman, & C. Packham (Eds.), Political Economy, Literature and the Formation of Knowledge, 1720-1850 (Routledge Studies in Eighteenth-Century Literature). Routledge.
Hoare, P. (2018). The unfinished world. In T. Dee (Ed.), Ground Work: Writings on People and PLaces London: Jonathan Cape.
Williams, L. (2017). "The Iron Lady": Politics and/in performance. In R. B. Palmer, & H. B. Pettey (Eds.), Biopics and British National Identity New York: State University of New York (SUNY) Press.
Hammond, M. (Accepted/In press). Great Expectations. In J. Jordan, R. Patten, & C. Waters (Eds.), The Oxford Handbook of Charles Dickens Oxford: Oxford University Press.
Hoare, P. (2017). I'll dream fast asleep. In E. Gallagher (Ed.), Ellen Gallagher: accidental records (pp. 78-92). London, New York: Hauser and Wirth.
Simpson, K. (2017). Manley's Queer Forms: Repetition, techno-performativity, and the body. In A. Hultquist, & E. J. Mathews (Eds.), New Perspectives on Delarivier Manley and Eighteenth Century Literature: Power, Sex, and Text (pp. 106-121). (Routledge Studies in Eighteenth-Century Literature). Abingdon, Oxon and New York: Routledge.
Marsh, N. (2017). Seeing is believing: a visual history of the gold standard. In A. Tynan, L. Milesi, & C. J. Muller (Eds.), Credo Credit Crisis: Speculations on Faith and Money (Critical Perspectives on Theory, Culture and Politics). Lanham, US: Rowman and Littlefield International.
May, W. (2017). The ballooning tradition of American poetry. In T. Stubbs, & D. Haynes (Eds.), Navigating the Transnational in Modern American Literature and Culture Abingdon, GB: Routledge.
Hammond, M., & Sloan, B. (2016). Introduction. In M. Hammond, & B. Sloan (Eds.), Rural-Urban relationships in the Nineteenth Century: Uneasy Neighbours? Abingdon, GB: Routledge.
Hanson, C. (2016). Introduction. In Katherine Mansfield and Psychology (pp. 1-10). Edinburgh, GB: Edinburgh University Press.
O'Doherty, M., Gascoigne, A. L., & Hicks, L. (2016). Medieval routes: journeys through space and scholarship. In Journeying along Medieval Routes in Europe and the Middle East (pp. 0-22). (Medieval Voyaging; No. 3). Turnhout, BE: Brepols.
Richardson, A. (Accepted/In press). The naked truth of scripture: André Rivet between Bellarmine and Grotius. In H. Nellen, J. Touber, D. Van Miert, & P. Steenbakkers (Eds.), Scriptural Authority and Biblical Criticism in the Dutch Golden Age: God's Word Questioned: God's Word Questioned (pp. 109-130). Oxford: Oxford University Press.
Bending, S. (2015). Anne Plumptre and the destruction of Lyons. In I. Baoudino (Ed.), Les Voyageuses britannique à Lyon: regards sur une ville en mutation Paris, FR: Editions L'Harmattan.
Hayden, S. (2015). Chronology of modernist poetry. In A. Davis, & L. Jenkins (Eds.), A History of Modern Poetry (pp. xix-xxxviii). Cambridge, GB: Cambridge University Press.
Williams, L. R. (2015). Jane Fonda, power nuptials and the project of ageing. In S. Cobb, & E. Neil (Eds.), First Comes Love: Power Couples, Celebrity Kinship and Cultural Politics (pp. 295-312). London, GB: Bloomsbury Academic.
Hayden, S., de Luca, Z., & Doucet, E. (2015). Jens Presser's Performative Personae. In L. Vermeersch (Ed.), Personally, I'm Most Interested in the Shapes and Colours (pp. 194-211). Ghent: Aramer/Kunstraum Ossastrasse.
Baum, D. (2015). Life writing and the East End. In D. Brauner, & A. Stähler (Eds.), The Edinburgh Companion to Modern Jewish Fiction (pp. 221-236). Edinburgh, GB: Edinburgh University Press.
Burns, C., & Llewelyn, B. (2015). Long division. In B. Llewelyn (Ed.), Secondary Character and Other Stories Cardiff, GB: Opening Chapter.
Ossa-Richardson, A. (2015). Missy, César de. In Oxford Dictionary of National Biography Oxford University Press, Oxford.
Baum, D. (2015). Nothing and the Jews. In H. Ewence, & H. Spurling (Eds.), Visualizing Jews Through the Ages: Literary and Material Representations of Jewishness and Judaism (pp. 78-90). Oxford: Routledge.
McGavin, J. J. (2015). Plays on the Move. In E. Dutton, & J. McBain (Eds.), Drama and Pedagogy in Medieval and Early Modern England (pp. 111-129). Narr Francke Attempto Verlag GmbH + Co. KG.
Hanson, C. (2015). Postscript. In British Women's Short Story Writing (pp. 193-198). Edinburgh, GB: Edinburgh University Press.
King, R. (2015). Shakespeare and the historians: the writing of Henry V. In A. Curry, & M. Mercer (Eds.), The Battle of Agincourt (pp. 235-249). New Haven, US: Yale University Press, in association with Royal Armouries.
Williams, L. R. (2015). Shortbus: smart cinema and sexual utopia. In L. Coleman (Ed.), Sex and Storytelling in Modern Cinema (pp. 95-117). (International Library of the Moving Image). London, GB: I.B. Tauris.
Hanson, C. (2015). The maternal body. In D. Hillman, & U. Maude (Eds.), The Cambridge Companion to the Body in Literature (pp. 87-100). (Cambridge Companions to Literature). Cambridge, GB: Cambridge University Press.
Clery, E. J. (2015). The novel in the 1750s. In P. Garside, & K. O'Brien (Eds.), The Oxford History of the Novel in English: English and British Fiction 1750-1820 (First ed., Vol. 2, pp. 73-91). [4] (Oxford History of the Novel in English). Oxford, GB: Oxford University Press.
Dow, G. (2015). Translations. In P. Sabor (Ed.), The Cambridge Companion to Emma Cambridge, GB: Cambridge University Press.
Hammond, M. (2014). Book history in the reading experience. In L. Howsam (Ed.), The Cambridge Companion to Book History (pp. 237-252). (Cambridge Companions to Literature). Cambridge, GB: Cambridge University Press.
Marsh, N. (2014). Debt and credit. In P. Crosthwaite, P. Knight, & N. Marsh (Eds.), Show me the money: the Image of Finance, 1700 to the present Manchester, GB: Manchester University Press.
May, W. (2014). F.T. Prince. In J. Parini (Ed.), British Writers XX (pp. 207-222). New York, US: Scribner's.
Ossa-Richardson, A. (2014). The Idea of a University and its Concrete Form. In P. Temple (Ed.), The Physical University: Contours of Space and Place in Higher Education (pp. 131-158). Taylor & Francis.
Hoare, P. (2013). Homo aquaticus: the half-known life. In A. Farquarson, & M. Clark (Eds.), Aquatopia: The Imaginary of the Ocean Deep (pp. 13-21). London, GB: Tate Enterprises.
Hoare, P., & Colsell, I. (2013). Introduction. In Malicious Damage: The Defaced Library Books of Kenneth Halliwell and Joe Orton (pp. 2-8). London, GB: Donlon Books.
Eardley, A., Archer, J. E., Goldring, E., & Sarah, K. (Accepted/In press). Material relating to the death and funeral of Queen Elizabeth I: poetry. In E. Goldring, F. Eales, E. Clarke, & J. E. Archer (Eds.), John Nichols's The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources Oxford, GB: Oxford University Press.
Hoare, P. (2013). Philip Hoare muses on John Waters. In K. Irvin, L. A. Brewer, C. Breward, M. L. Miller, & T. Browne (Eds.), Artist/Rebel/Dandy: Men of Fashion (pp. 141-142). (Museum of Art, Rhode Island School of Design). London, GB: Yale University Press.
Middelton, P. (2013). Science and the new American poetry. In J. R. Woznicki (Ed.), The New American Poetry: Fifty Years Later (pp. 171-198). Bethlehem, US: Lehigh University Press.
Hayden, S. (2015). The jump [to] convergence/ reviewing re-vue. Paper presented at 'Frequencies' Summer Lecture Series 2015: 'The Authorial Function' at National Sculpture Factory, Cork, Ireland.