Edited Books
(with Bonnie Blackburn ed.), Eroticism in Early Modern Music. Farnham: Ashgate, forthcoming March 2015.
She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Farnham: Ashgate, 2010.
Book Chapters
‘“Non è sì denso velo”: Hidden and Forbidden Practice in Wert’s Ottavo libro de madrigali a cinque voci, 1586.’ In Eroticism in Early Modern Music, ed. Laurie Stras and Bonnie Blackburn. Farnham: Ashgate, forthcoming 2015.
‘Introduction: Encoding the Musical Erotic.’ In Eroticism in Early Modern Music, ed. Laurie Stras and Bonnie Blackburn. Farnham: Ashgate, forthcoming 2015.
‘Subhuman or Superhuman? (Musical) Assistive Technology, Performance Enhancement, and the Aesthetic/Moral Debate.’ In Oxford Handbook of Music & Disability Studies, ed. Blake Howe, Stephanie Jensen-Moulton, Neil Lerner and Joseph Straus. New York: Oxford University Press, forthcoming 2015.
‘Voice of the Beehive: Vocal Technique at the Turn of the 1960s.’ In She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music, ed. Laurie Stras. Farnham: Ashgate, 2010. 33–55.
‘Introduction: She’s So Fine, or Why Girl Singers (Still) Matter.’ In She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music, ed. Laurie Stras. Farnham: Ashgate, 2010. 1–29.
‘Imitation, Meditation and Penance: Don Lodovico Agostini’s Le lagrime del peccatore (1586).’ In “Uno gentile et subtile ingenio”: Studies in Renaissance Music in Honour of Bonnie Blackburn, ed. Gioia Filocamo and M. Jennifer Bloxam. Turnhout: Brepols, 2009. 121–28.
‘“Who Told You That Lie?”: Picturing Connie Boswell.’ In Re-framing Representations of Women: Figuring, Fashioning, Portraiting and Telling in the ‘Picturing Women’ Project, ed. Susan Shifrin. Burlington: Ashgate Press, 2008. 251–67.
‘The Organ of the Soul: Voice, Damage and Affect.’ In Sounding Off: Theorizing on Disability in Music, ed. Neil Lerner and Joseph Straus. New York: Routledge, 2006. 173–84.
‘Musical Portraits of Female Musicians at the Northern Italian Courts in the 1570s.’ In Art and Music in the Early Modern Period: Essays in Memory of Franca Trinchieri Camiz, ed. Katherine A. McIver. Aldershot: Ashgate, 2003. 145–72.
‘Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations Before Monteverdi.’ In Gender, Sexuality and Early Music, ed. Todd Borgerding. New York and London: Routledge, 2002. 123–65.
Articles
‘The Ricreatione per monache of Suor Annalena Aldobrandini.’ Renaissance Studies 26 (2012): 34–59.
‘Sing a Song of Difference: Connie Boswell and a Discourse of Disability in Jazz.’ Popular Music, Special Edition on Music and Disability, 28/3 (2009): 297–322.
‘White Face, Black Voice: Race, Gender and Region in the Music of the Boswell Sisters.’ Journal of the Society for American Music 1 (2007): 207–55.
‘Al gioco si conosce il galantuomo: Artifice, Humour and Play in the enigmi musicali of Don Lodovico Agostini.’ Early Music History 24 (2005): 213–86.
‘Muted Voices of Girl Power.’ Times Higher Educational Supplement, April 19, 2002.
‘“Onde havrà ‘l mond’esempio et vera historia”: Musical Echoes of Henri III’s Progress through Italy.’ Acta musicologica 72 (2000): 7–41.
‘Recording Tarquinia: Imitation, Parody and Reportage in Marc’Antonio Ingegneri’s “Hor che ‘l ciel e la terra e ‘l vento tace”.’ Early Music 27 (1999): 358–77.
‘Monteverdi as discepolo: Harmony, Rhetoric and Psalm-Tone Hierarchies in the Works of Ingegneri and Monteverdi.’ Journal of Musicological Research 15 (1995): 149–75.
‘The Madrigals of Marc’Antonio Ingegneri.’ Musiek & Wetenschap 2:2 (1992): 1–28.
Recordings
Sacred Hearts, Secret Music. Musica Secreta, Divine Arts dda25077 (2009).
Alessandro Grandi: Motteti a cinque voci (1614). Musica Secreta, Divine Arts dda25062 (2007).
Dangerous Graces: Music of Cipriano de Rore and his pupils. Musica Secreta, Linn CKD169 (2002).
Conference Proceedings
‘Considering the Performance of Alessandro Grandi’s Motetti a cinque voci (1614).’ In Atti del I Seminario Celesti Sirene (San Severo, 7/9 marzo 2008), ed. Dinko Fabris and Annamaria Bonsante. Florence: Olschki, 2010. 73–93.
‘Sapienti pauca: The Canones et Echo…sex vocibus eiusdem dialogi (1572) of Don Lodovico Agostini.’ In Canons and Canonic Techniques, 14th – 16th Centuries, Proceedings of the International Conference, Leuven, 4-6 October 2005, ed. Bonnie Blackburn, Ignace Bossuyt and Katelijne Schiltz. Leuven: Peeters, 2007. 357–80.
‘Marc’Antonio Ingegneri: New Biographical Information.’ In Marc’Antonio Ingegneri e la musica a Cremona nel secondo Cinquecento, ed. Antonio Delfino and Maria Teresa Rosa Barrezzani. Lucca: LIM, 1994. 5–14.
Reviews in Academic Publications
Alfonso Fontanelli: Complete Madrigals (A-R Editions, 1999), ed. Anthony Newcomb; Madrigali segreti per le dame di Ferrara (SPES, 2000), ed. Elio Durante and Anna Martellotti. Music & Letters 83 (2002): 665–67.
Alessandro Orologio, Opera omnia, 8 vols. eds. Franco Colussi, Alessandra Andreotti, Andrea Bombi, Francesco Luisi, Siro Cisilino and Giochino Perisan, (Pizzicato, 1992-2001). Early Music 30 (2002).
‘Monteverdi and Ingegneri’ [review of Intorno a Monteverdi (LIM, 1999), ed. Maria Caraci Vela and Rodobaldo Teobaldi; Marc’Antonio Ingegneri: Opera omnia (LIM, 1994- ), ed. Maria Teresa Rosa-Barezzani and Mila de Santis (II/ii); Marc’Antonio Ingegneri e la musica a Cremona nel secondo cinquecento (LIM, 1995), ed. Antonio Delfino and Maria Teresa Rosa-Barezzani]. Early Music 29 (2001): 647–48.
‘Canzonettas and madrigals’ [review of various madrigal publications]. Early Music 23 (1995): 709–11.
Marc’Antonio Ingegneri: Opera omnia (LIM, 1994- ), ed. Marco Mangani (II/iii) and Daniele Sabaino (I/v). Music & Letters 76 (1995).
Domenico Maria Ferrabosco (1513–1574): Opera omnia (CMM 102, 1992), ed. Richard Charteris. Music & Letters 75 (1994): 316–17.
Reviews of Single Academic Books
Giuseppe Gerbino, Music and the Myth of Arcadia in Renaissance Italy (Cambridge, 2009). Journal of the American Musicological Society 65 (2012): 863–867.
Annie Randall, Dusty: Queen of the PostMods (Routledge, 2009). Women and Music 16 (2012): 139–43.
Elio Durante and Anna Martellotti, “Giovinetta peregrine”: La vera storia di Laura Peperara e Torquato Tasso (Olschki, 2010). Sixteenth-Century Journal 42/3 (2011): 897–898.
Suzanne Cusick, Francesca Caccini at the Medici Court: Music and the Circulation of Power (University of Chicago Press, 2009). Renaissance Quarterly 63/2 (2010): 622–623.
John Whenham and Richard Wistreich (eds), The Cambridge Companion to Monteverdi (CUP, 2007). Early Music 38/1 (2010): 130–133.
Richard Wistreich, Warrior, Courtier, Singer (Ashgate, 2007). Early Music 36/4 (2008): 629–632.
Colleen Reardon, Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575–1700 (Oxford University Press, 2001). Music & Letters 85 (2004): 269–70.
(with Abigail Wood) Music and Gender (University of Illinois Press, 2000) eds. Pirkko Moisala and Beverley Diamond. Gender. Music. Education. Society, 2 (2003).
Iain Fenlon, Music and Civic Culture in Late Renaissance Italy (Oxford University Press, 2002). Renaissance Quarterly 57 (2004): 704–705.
Encyclopedia Entries
‘Marc’Antonio Ingegneri’. The New Grove Dictionary of Music and Musicians, 2nd edition, Macmillan, 2001.
Select Broadcasts/Performances
O Magnum mysterium, Celestial Sirens. St Michael’s, Southampton, 7 December 2013.
Breaking the Rules, Finbar Lynch, The Marian Consort and Celestial Sirens. Brighton Early Music Festival, 2013.
Passion and the Princess, Musica Secreta and Brighton Consort of Voices. Brighton Early Music Festival, 2013.
Ave maris stella. St Michael’s, Southampton, 9 July 2013, for AHRC-funded Knowledge Exchange and Arts and Humanities Research Conference.
Secret Carnivals, Musica Secreta and Celestial Sirens. Brighton Early Music Festival, 2012.
Sacred Hearts, Secret Music, Musica Secreta and Celestial Sirens with Sarah Dunant, Niamh Cusack, Deborah Findlay/Claire Cox dir. by Nick Renton. London Literature Festival, 2009; Brighton Festival Fringe, 2010; East Cork Early Music Festival, 2010; Leamington Music / Warwick Words, 2010; Chester Literature Festival, 2010; Latitude Festival, Southwold, July 2011; Manchester Literature Festival, October 2011; Brighton Early Music Festival, October 2011; Bath Festival, March 2012.
Four Weddings and a Funeral, Musica Secreta with Mark Dobell, Don Greig and the BREMF Consort. Brighton Early Music Festival, 2010.
[Music for] Sacred Hearts. BBC R4, Woman’s Hour Book of the Week, Jun–Jul 2009.
Fallen: A Fantasy in Music, Drama and Film, Musica Secreta with Fiona Mackie, Anthony Richards and Perrin Sledge. Brighton Early Music Festival, 2006; South Bank Early Music Weekend, 2007.
BBC Radio 3: CD Review: Palestrina. April 9, 2007.
BBC Radio 3: The Choir. September 23, 2007.