In press
- Kiwan, Nadia and Meinhof, Ulrike H. (2011) Cultural Globalization and Music. African Musicians in Transnational Networks. Palgrave-Macmillan.
- Kiwan, Nadia and Meinhof, Ulrike H. (eds.) (2011) Music and Migration: a Transnational Perspective. Special issue: Music and Arts in Action. Comprises articles by Phil Bohlmann, Nina Glick-Schiller & Ulrike H. Meinhof, Nadia Kiwan & Ulrike H. Meinhof, Inken Carstensen-Egwuom , Jenny Fuhr, Marie-Pierre Gibert, Ananya J. Kabir, Jan Sverre Knudson and Alain Mueller.
Publications already available
- Gibert, Marie-Pierre and Meinhof, Ulrike H. (2009) ‘Inspiration triangulaire: musique, tourisme et développement à Madagascar’. Numéro spécial des Cahiers d'études africaines : Mise en tourisme de la culture : réseaux, représentations et pratiques. 227-256.
- Meinhof, Ulrike H. (2009) ’Transnational flows, networks and “transcultural capital”. Reflections on researching migrant networks through linguistic ethnography’. In Stef Slembrouck, Jim Collins and Mike Baynham (eds.) Globalization and Languages in Contact: Scale, Migration, and Communicative Practices. Continuum. 148-169.
- Meinhof, Ulrike H., Gibert, Marie-Pierre and Kiwan, Nadia (2010). ‘Transnational musicians’ networks across Africa and Europe’. In K. Knott and D. McLoughlin (eds.) Diasporas: Concepts, Identities, Intersections. Zed publication:249-255.
Previous related work by research team
- Belghazi, Taieb. 2005. "Afterwords". In M. Cooke and B. Lawrence (ed.), Muslim Networks from Hajj to Hip Hop (Islamic Civilization and Muslim Networks). Chapel Hill (NC, The University of North Carolina Press, pp. 275-282.
- Belghazi, Taieb. 2005. "The Enemy Within: Perceptions of 'Western' Youth counter- culture in Morocco". Paper given at the colloquium: "Perceptions and Constructions of the West from 'Outside' in Contemporary Cultural Texts and Discourses", Beijing, China, August 2005.
- Kiwan, Nadia. 2005. “Maghrebi Music in and Beyond the Post-Colonial City”. In D. Richards, T. Agoumy and T. Belghazi (ed.), Urban Generations: Post-colonial Cities. Rabat : Mohamed V University, pp. 345-354.
- Meinhof, Ulrike. 2005. “Initiating a Public: Malagasy Music and live audences in differentiated cultural contexts”. In S. Livingstone (ed.), Audiences and Publics: When Cultural Engagement Matters for the Public Sphere. Bristol-Portland, OR : Intellect, pp. 115-138.
- Meinhof, Ulrike and Zafimahaleo Rasolofondraosolo 2005. “Malagasy Song-Writer Musicians in Transnational Settings”. Moving Worlds 5(1): 144-158.
- Meinhof, Ulrike and Anna Triandafyllidou (2006) ‘Beyond the Diaspora: Transnational Practices as Transcultural Capital’, in Meinhof, Ulrike H. and Anna Triandafyllidou (eds.) Transcultural Europe. Cultural Policy in a Changing Europe. Palgrave-Macmillan. 200-222.
- Rasolofondraosolo, Zafimahaleo and Ulrike H. Meinhof. 2003. “Popular Malagasy music and the construction of cultural identities” AILA Review 16: 127-148.