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Bayman, L., & Pinazza, N. (Accepted/In press). Introduction. In L. Bayman, & N. Pinazza (Eds.), Journeys on Film: Theory, Ethics and Aesthetics Edinburgh: Edinburgh University Press.
Donnelly, K. (2018). Piggies. In M. Goodall (Ed.), The Beatles, Or the 'White Album' (pp. 51-57). London: Headpress.
Jones, H. (2018). Remapping world cinema through audience research. In R. Stone, P. Cooke, S. Dennison, & A. Marlow-Mann (Eds.), The Routledge Companion to World Cinema (pp. 467-481). (Routledge Media and Cultural Studies Companions). Abingdon: Routledge.
Bayman, L. (Accepted/In press). Sic transit: The serial killer road movie. In L. Bayman, & N. Pinazza (Eds.), Journeys on Screen: Theory, Ethics and Aesthetics Edinburgh: Edinburgh University Press.
Mazdon, L. (2017). Disrupting the remake: The Girl with the Dragon Tattoo. In I. R. Smith, & C. Verevis (Eds.), Transnational Film Remakes (pp. 21-35). (Traditions in World Cinema). Edinburgh: Edinburgh University Press.
Bayman, L. (2017). Isles of fright: Gothic tropics and island horror. In A. Cooper, & R. Meeuf (Eds.), Projecting the World: Representing the "Foreign" in Classical Hollywood Detroit, US: Wayne State University Press.
Bayman, L. (2017). Italian comedy and popularity. In A Companion to Italian Cinema (Wiley Blackwell Companions to National Cinemas). Hoboken, US: Wiley-Blackwell.
Bayman, L. (2017). L'esspressivita melodrammatica del corpo neorealista. In G. Carluccio, E. Morreale, & M. Pierini (Eds.), Intorno al neorealismo: Voci, contesti, linguaggi e culture dell'italia del dopoguerra (pp. 175-183). Milan: Scalpendi editore.
Donnelly, K. (2017). The ghostly effect revisited. In M. Mera, R. Sadoff, & B. Winters (Eds.), The Routledge Companion to Screen Music and Sound (1st ed., pp. 17-25). New York: Routledge.
Cobb, S. (2016). Black women, romance and the indiewood rom coms of Sanaa Hamri. In L. Badley, C. Baron, & M. Schreiber (Eds.), Indie Reframed: Women Filmmakers And Contemporary American Cinema (pp. 154-168). Edinburgh, GB: Edinburgh University Press.
Donnelly, K. J. (2016). How far can too far go? radical approaches to silent film music. In K. J. Donnelly, & A-K. Wallengren (Eds.), Today's Sounds for Yesterday's Films Making Music for Silent Cinema (pp. 10-28). (Palgrave Studies in Audio-Visual Culture). Basingstoke, GB: Palgrave Macmillan.
Donnelly, K., & Rawle, S. (Accepted/In press). Introduction. In K. Donnelly, & S. Rawle (Eds.), Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock Manchester, GB: Manchester University Press.
Donnelly, K. J., & Wallengren, A-K. (2016). Music and the resurfacing of silent film: an introduction. In K. J. Donnelly, & A-K. Wallengren (Eds.), Today's Sounds for Yesterday's Films: Making Music for Silent Cinema (pp. 1-9). (Palgrave Studies in Audio-Visual Culture). Basingstoke, GB: Palgrave Macmillan.
Carroll, B. (2016). Soviet fidelity and the Pet Shop Boys. In K. J. Donnelly, & A-K. Wallengren (Eds.), Today's Sounds for Yesterday's Films: Making Music for Silent Cinema (pp. 122-137). (Palgrave Studies in Audiovisual Culture). Basingstoke, GB: Palgrave Macmillan.
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Bergfelder, T. (2015). Fritz Lang. In Y. Tasker, & S. Leonard (Eds.), Fifty Hollywood Directors (pp. 135-143). (Routledge Key Guides). Abingdon, GB: Routledge.
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Williams, M. (2015). James Whale. In Y. Tasker, & S. Leonard (Eds.), Fifty Hollywood Directors (pp. 280-289). (Routledge Key Guides). London, GB: Routledge.
Donnelly, K. (2014). Jack Nitzsche (Performance). In M. Goodall (Ed.), Gathering of the Tribe: Music and Heavy Consciousness Creation (pp. 267-272). New York, US: Headpress.
Donnelly, K., Gibbons, W., & Lerner, N. (2014). Preface. In K. Donnelly, W. Gibbons, & N. Lerner (Eds.), Music in Video Games: Studying Play (pp. viii-xiii). London, GB: Routledge.
Jones, H. D. (2013). Art and society in Wales, 1969-77. In E. Geliot (Ed.), It Was Never Going to be Straightforward (pp. 146-151). Cardiff: CTA.
Donnelly, K. (2013). British cinema and the visualized live album. In R. Edgar, K. Fairclough-Isaacs, & B. Halligan (Eds.), The Music Documentary: Acid Rock to Electropop (pp. 171-181). London, GB: Routledge.
Donnelly, K. (2013). Extending film aesthetics: audio beyond visuals. In J. Richardson, C. Gorbman, & C. Vernallis (Eds.), The Oxford Handbook of New Audiovisual Aesthetics (pp. 357-371). Oxford, GB: Oxford University Press.
Mazdon, L. (2013). Festival de Cannes: archive or archivist? In A. Marlow-Mann (Ed.), Archival Film Festivals (pp. 117-128). (Film Festival Yearbook; No. 5). Saint Andrews, GB: St Andrews Film Studies.
Sandberg, C. (2013). Literaturverfilmungen. In M. Langford (Ed.), Directory of World Cinema: Germany 2 (pp. 121-126). (Directory of World Cinema Series). Bristol, GB: Intellect.
Williams, M. (2013). Stars as sculpture in the 1920s fan-magazine interview. In S. Harrow (Ed.), The Art of the Text: Visuality in Nineteenth and Twentieth-Century Literary and Other Media (pp. 131-147). Cardiff, GB: University of Wales Press.
Mazdon, L. (2013). Television, from public service to reality show. In D. Looseley, & D. Holmes (Eds.), Imagining the Popular in Contemporary French Culture (pp. 162-193). Manchester, GB: Manchester University Press.
Mazdon, L. (2013). The Cannes Film Festival as archive. In D. Iordanova, & A. Marlow Mann (Eds.), Archival Film Festivals (pp. 117-127). St. Andrews, UK: University of St. Andrews Press.
Donnelly, K. (2013). The Performance soundtrack. In M. Goodall (Ed.), Gathering of the Tribe: Music and Heavy Conscious Creation London, GB: Headpress.
Donnelly, K., & Hayward, P. (2012). Preface. In K. J. Donnelly, & P. Hayward (Eds.), Music in Science Fiction Television: Tuned to the Future (pp. xiii-xviii). (Routledge Music and Screen Media Series). New York City, US: Routledge.
Mazdon, L. (2012). Raymond Depardon’s rural life trilogy. In C. Perkins, & C. Verevis (Eds.), Film Trilogies: New Critical Approaches (pp. 198-210). Basingstoke, GB: Palsgrave Macmillan.
Donnelly, K. J. (2012). Television's Musical Imagination: Space 1999. In K. J. Donnelly, & P. Hayward (Eds.), Music in Science Fiction Television (Routledge Music and Screen Media Series). New York City, US: Routledge.
Cheung, R. (2011). East Asian film festivals: film markets. In D. Iordanova, & R. Cheung (Eds.), Film Festival Yearbook 3: Film Festivals and East Asia (pp. 40-61). St Andrews, GB: St Andrews Film Studies.
Cheung, R. (2010). Funding models of themed film festivals. In D. Iordanova, & R. Cheung (Eds.), Film Festival Yearbook 2: Film Festivals and Imagined Communities (pp. 74-103). Saint Andrews, GB: St Andrews Film Studies.
Iordanova, D., & Cheung, R. (2010). Introduction. In D. Iordanova, & R. Cheung (Eds.), Film Festival Yearbook 2: Film Festivals and Imagined Communities (pp. 1-10). St Andrews, GB: St Andrews Film Studies.
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Williams, M. (2006). Film and the First World War. In B. K. Grant, J. Hillier, & J. Staiger (Eds.), Schirmer Encyclopedia of Film New York, US: Schirmer Reference.
Mazdon, L., & Freedman, J. (2006). Un repli sur lui-même du débat public. In G. Lochard, C. Chabrol, & J. Freedman (Eds.), Les Débats publics dans les televisions européennes (pp. 101-131). Paris, FR: Editions L'Harmattan.
Donnelly, K. (2005). Music on television. In A. McGown (Ed.), The BFI Television Handbook: The Essential Guide to UK TV (pp. 146-147). London, GB: British Film Institute.
Donnelly, K. (2001). Adult animation on television. In G. Creeber, T. Miller, & J. Tulloch (Eds.), The Television Genres Book London, GB: British Film Institute.
Donnelly, K. (2001). Educational television. In G. Creeber, T. Miller, & J. Tulloch (Eds.), The Television Genres Book London, GB: British Film Institute.
Donnelly, K. (2001). MTV. In G. Creeber, T. Miller, & J. Tulloch (Eds.), The Television Genres Book London, GB: British Film Institute.
Donnelly, K. (2001). Music on television. In G. Creeber, T. Miller, & J. Tulloch (Eds.), The Television Genres Book London: British Film Institute.
Donnelly, K. (2001). South Park and The Simpsons. In G. Creeber, T. Miller, & J. Tulloch (Eds.), The Television Genres Book London, GB: British Film Institute.
Williams, M., & Napper, L. (2001). The curious appeal of Ivor Novello. In B. Babington (Ed.), British Stars and Stardom: from Alma Taylor to Sean Connery (pp. 42-55). Manchester, GB: University of Manchester.
Sandberg, C. (2014). Germania (2012) – Atrapados entre el pasado y el presente. Paper presented at Documental/Ficción. Cruces interdisciplinarios e imaginación política. IV Congreso de la Asociación Argentina de Estudios de Cine y Audiovisual, Argentina.
Schultz, C. K. N. (2013). Mediated memory: prosthetic memory in 24 City. Paper presented at BRESTOLON Network: Research Institute for Media, Communications, Culture and Society, Sweden.