Module overview
Aims and Objectives
Learning Outcomes
Subject Specific Intellectual and Research Skills
Having successfully completed this module you will be able to:
- “Deconstruct” narrative practices;
- Explain how different textual practices create their effects.
- Contextualise creative writing within English studies;
Subject Specific Practical Skills
Having successfully completed this module you will be able to:
- Write a well-structured text exploring the workings of language, or textuality, or poetics, or narrative time, that is internally coherent.
- Develop an intuitive grasp of the potential of different compositional techniques;
- Choose appropriate methods for a writing project;
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- How to manipulate bibliographic codes in order to create different reception effects.
- How to work with constructivist frameworks, found materials, chance, free writing, performance, and visual display, to produce literary works;
- A wide range of modernist and postmodernist literary experiments in prose and poetry in Anglophone writing of the past hundred years;
- Techniques that explore the possibilities of reflexive narrative strategies;
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- Understand how different kinds of textuality work, and how to emulate them;
- Assess the effect of a text performed for a live audience;
- Take further your potential as a writer;
- Review, paraphrase, redact and otherwise process existing texts.
Syllabus
Learning and Teaching
Teaching and learning methods
Type | Hours |
---|---|
Preparation for scheduled sessions | 50 |
Seminar | 12 |
Completion of assessment task | 52 |
Wider reading or practice | 12 |
Follow-up work | 12 |
Lecture | 12 |
Total study time | 150 |
Resources & Reading list
Internet Resources
How2 is a good source of new women’s writing.
The online magazine Jacket is a good source of poetic texts and discussions of new writing.
Pennsound has an extensive collection of readings and performances.
Ubuweb has a large archive of innovative texts from the past century.
Textbooks
Susan Sellers (1991). Taking Reality by Surprise. Women’s Press.
Gertrude Stein (1975). How to Write. Dover Publications.
Jerome Rothenberg and Pierre Joris, eds. (1998). Poems for the Millenium- Volume Two- Postwar to Millenium. University of California Press.
Maggie O’Sullivan (1996). Out of Everywhere: linguistically innovative writing by women in North America & the UK. Reality Street Editions.
Julia Bell and Paul Magrs (2003). The Creative Writing Coursebook. Macmillan.
Charles Bernstein (1992). A Poetics. Harvard.
Marjorie Perloff (2002). 21st Century Modernism: The “New” Poetics. Blackwells.
Jerome Rothenberg and Pierre Joris, eds. (1995). Poems for the Millennium, Volume I: From Fin-de-siècle to Negritude. University of California Press.
Jon Cook (2004). Poetry in Theory: An Anthology 1900-2000. Blackwell Publishing.
Hazel Smith (2005). The Writing Experiment: Strategies for Innovative Creative Writing. Allen & Unwin.
John D’Agata (2003). The Next American Essay. Graywolf Press.
Assessment
Assessment strategy
You will be expected to write at least one exercise per week, which will then be peer-reviewed and may also be read and critiqued by the module tutor. Assessment Method Writing Exercises (Formative
This is how we’ll give you feedback as you are learning. It is not a formal test or exam.
Exercise
- Assessment Type: Formative
- Feedback:
- Final Assessment: No
- Group Work: No
Summative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Project | 100% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Coursework | 100% |
Repeat Information
Repeat type: Internal & External