Module overview
Transmission of energy. The module is designed to encourage continued experimentation, to continue the development of your technical knowledge, raise the level of your research and critical reflection, and enable you to start to define the particular nature of your own practice.
Aims and Objectives
Learning Outcomes
Subject Specific Intellectual and Research Skills
Having successfully completed this module you will be able to:
- consistently critique your experimentation and outcomes;
- take full responsibility for your experimentation and outcomes;
- locate the concepts and methods of your practice in relation to contemporary art.
Subject Specific Practical Skills
Having successfully completed this module you will be able to:
- work towards an innovative studio practice through open-ended, non-linear, or serial production.
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- the application of critical and contextual thinking in the development of your practice.
- ways of broadening the scope of your studio work through sustained experimentation;
- a relevant range of technical methods and concepts to support the development of your studio work;
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- work independently and collaboratively;
- conduct broad research including library research;
- articulate your creative decisions with increasing confidence.
Syllabus
This module marks the point in the programme at which you move from the Part 1 Studio to a studio of your choice, either Painting, Printmaking, Sculpture or New Media. There is no requirement that this choice be reflected in an exclusive commitment to particular techniques or media, and you continue to have access to any and all workshops for which you have received the relevant training. You continue to develop your own ideas, test materials and techniques, and build up a portfolio of experimental material and outcomes through which you start to define your creative ‘voice’. Workshop training in a range of skills is available. On two occasions the module encompasses participation in a Shared Drive project - typically a remaking project – working alongside Part 1 and 3 students towards a collective outcome. A number of visiting artists deliver lectures on their practice.
Learning and Teaching
Teaching and learning methods
Teaching methods include:
- module briefing;
- lectures;
- tutorials;
- group critiques.
Learning activities include:
- module briefing;
- lectures;
- library research;
- Shared Drive projects;
- tutorials;
- group critiques;
- peer group learning;
- self-evaluation;
- Study Skills Hub.
Relationship between the teaching, learning and assessment methods and the planned learning outcomes:
Outcomes and work in progress are discussed individually with tutors, and in group critiques. The module requires ongoing research for relevant antecedents for the work in hand, from current practice and art history, as well as theoretical considerations, for which use of the library is essential. The advice you receive and what you learn should all be documented in your sketchbooks and research folders and will be manifest in the work you produce. Taken together, these items are your ‘portfolio’, which will be assessed at the end of the semester against the learning outcomes for the module.
Type | Hours |
---|---|
Lecture | 20 |
Wider reading or practice | 100 |
Seminar | 18 |
Tutorial | 2 |
Supervised time in studio/workshop | 180 |
Completion of assessment task | 130 |
Total study time | 450 |
Resources & Reading list
Internet Resources
Academic Skills ( including AI).
Textbooks
Doherty, C. (2009). Situation (Documents of Contemporary Art). London: Whitechapel.
Macey, D. (2001). The Penguin Dictionary of Critical Theory. London: Penguin.
Kafka, F. (1926). The Castle. London: Vintage.
McNiff, J. and Whitehead, J. (2010). You and Your Action Research Project. New York: Routledge.
Hiller, S. (1996). Thinking About Art - Conversations with Susan Hiller. Manchester: Manchester University Press.
Kholeif, O. (2014). You Are Here: Art after the Internet. Manchester: Cornerhouse.
Dawson, I. (2012). Making Contemporary Sculpture. London: The Crowood Press.
Derrida, J. (2017). The Truth in Painting. Chicago: University of Chicago.
Smith, P. (2008). Cultural Theory: An Introduction. Oxford: Wiley-Blackwell.
Steyerl, H. (2012). The Wretched of the Screen. Sternberg Press L2S1.
Graham, B. and Cook, S. (eds) (2010). Rethinking Curating: Art after New Media. Boston: Mass.: MIT.
Pearce, E. (1992). Artists Materials; Which, Why and How. London: Draw Books.
Viola, B. (1995). Reasons for Knocking at an Empty House: Writings 1973-1994. Boston: Mass.: MIT.
McNiff, J. and Whitehead, J. (2009). Doing and Writing Action Research. London: Sage Publications Ltd.
Sontag, S. (2009). Against Interpretation and Other Essays. London: Penguin.
Assessment
Formative
This is how we’ll give you feedback as you are learning. It is not a formal test or exam.
Portfolio Development
- Assessment Type: Formative
- Feedback: •In the early part of the module, you will have an orientation tutorial with your personal academic tutor with feedback on your early response to the module and guidance on how to proceed with portfolio development •You will have a formative feedback tutorial, usually in week 7, with your personal academic tutor, based on discussion of working material available in your studio space and any plans for practice you choose to outline in the meeting. A written summary of the discussion will be provided afterwards, indicating areas of strength and those needing extra attention; this is for your guidance, and does not carry marks or contribute to your assessment.
- Final Assessment: No
- Group Work: No
Summative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Portfolio | 100% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Portfolio | 100% |
Repeat
An internal repeat is where you take all of your modules again, including any you passed. An external repeat is where you only re-take the modules you failed.
Method | Percentage contribution |
---|---|
Portfolio | 100% |
Repeat Information
Repeat type: Internal & External