Module overview
Sight and Sound is designed to introduce students to the language of cinema in support of their research methodologies and professional skill sets in the creative industries. Using key texts and self-generated or found visual samples as a basis for teaching activities, Sight and Sound provides a learning platform for students with no prior knowledge of cinema theory who on completion of the module, will learn the usefulness of cinematic studies as a way of strengthening their academic portfolio in associated professional environments.
This optional core module is designed to broaden your studies and provide you with an interdisciplinary learning experience with peers from a range of art and design subjects. The module will provide you with new perspectives and introduce you to themes and practices that can be critically explored to inform your ongoing development, interests and skills.
Aims and Objectives
Learning Outcomes
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- theoretical and historical references and how they apply to the contemporary cultural environment;
- methods of critical visual analysis referred to genre, authorship and audience.
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- organise your time and manage deliverables and deadlines.
- clearly communicate visually and in written form with an awareness of how this might be perceived by others;
Subject Specific Intellectual and Research Skills
Having successfully completed this module you will be able to:
- construct a reasoned argument based on research and analysis of texts using a clear, coherent structure.
- develop and research your own position in relation to current literature and debates;
- interrogate forms of stylistic analysis through reference to cinema and moving image;
Syllabus
Indicative content for this module normally includes:
- Controversy: Exploring Underground film culture from Anger to Warhol.
- Free Associations: Cinema and the early Avant Garde
- Digital Antecedents: Cut and Paste technologies in the early Twentieth century cinema
- Art of The Title: Exploring the Word and the Image in film title sequences
- Short Stories: Storytelling principles and the art of movie trailers
- Sound as Vision – Visual identity and personality through the use of sound
- Remake/Remodel – The use of music sampling and appropriation as a creative voice
- Empire of The Senses - The Synesthetic Image and the colour of sound
- Synch Points – The effectiveness of sound synchronisation - both in & out of sequence
Learning and Teaching
Teaching and learning methods
Teaching methods include:
- lectures;
- screenings;
- seminars;
- tutorials.
Learning activities include:
- reflection on tutor feedback;
- peer group critiques and presentations;
- peer group learning.
Relationship between the teaching, learning and assessment methods and the planned learning outcomes
In this module, learning and teaching activities focus on helping you investigate, question and analyse the language of cinema and moving image, its theories and how these influence your own ideas and/or the discipline in which you operate. Feedback on your progress and development will be given by group discussions, seminars and presentations. Informal feedback will provide opportunities for peer group learning and self-evaluation.
The formal assessment will be a series of blogs uploaded on a weekly basis totalling 2500 words and illustrated with Harvard referenced images. The use of illustrations will help you to develop visual research and analysis skills and to effectively present your critical engagement with visual cultural artefacts.
Type | Hours |
---|---|
Follow-up work | 26 |
Seminar | 8 |
Completion of assessment task | 50 |
Wider reading or practice | 30 |
Preparation for scheduled sessions | 20 |
Tutorial | 4 |
Lecture | 12 |
Total study time | 150 |
Resources & Reading list
Internet Resources
Textbooks
Manovich, Lev (2002). The Language of New Media. London: MIT.
Chion, Michel (1994). Audio Vision: Sound on Screen. Chichester: Columbia University Press.
Cousins, Mark (2017). The Story of Looking. London: Canongate Books.
Chion, Michel (2016). Sound: An Acoustical Treatise. Duke University Press.
Gumbrecht Hans Ulrich & Marian Michael eds (2003). Mapping Benjamin: The Work of Art in the Digital Age. Stanford / California: Stanford University Press.
Cousins, Mark (2011). The Story of Film. London: Pavilion Books.
Burnett R. (2004). How Images Think. London: MIT.
Gunkel David J. (2016). Ethics and Aesthetics After Remix. London: MIT.
Assessment
Formative
This is how we’ll give you feedback as you are learning. It is not a formal test or exam.
Blog
- Assessment Type: Formative
- Feedback: Feedback on reflective writing in the blog posts. You will experience formative feedback in different learning situations, for example: •seminars •presentations •peer group feedback •tutor comments on blog entries
- Final Assessment: No
- Group Work: No
Summative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Blog | 100% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Blog | 100% |
Repeat
An internal repeat is where you take all of your modules again, including any you passed. An external repeat is where you only re-take the modules you failed.
Method | Percentage contribution |
---|---|
Blog | 100% |