Module overview
Aims and Objectives
Learning Outcomes
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- Construct a reasoned, well written argument based on research and analysis of text
- Write in a range of registers appropriate for different purposes and readerships
- Research a topic or issue independently
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- scholarship that draws on a variety of critical approaches to explore the crucial issues informing American drama of this period
- a play-text as a blueprint for performance, a starting point for directors, actors, and designers
- the concept of drama as a composite and collaborative art form; a sense of a play-text as a blueprint for performance, a starting point for directors, actors, and designers
Subject Specific Intellectual and Research Skills
Having successfully completed this module you will be able to:
- Evaluate the relationship between playwrights and a number of theatre companies and directors
- Analyse plays for their visual, aural, performative and literary elements
- Conduct independent research using tools and resources available via the library and the internet
- Evaluate the efficacy of key theories and critical methods pertinent to analysis of dramatic texts
- Present arguments about dramatic literature that place it in a broad historical, cultural and theoretical context.
- Evaluate how visual and aural components of performance combine to speak to their audiences and create emotional and cognitive impact
- Analyse the generic and formal strategies used by modern American playwrights
Syllabus
Learning and Teaching
Teaching and learning methods
Type | Hours |
---|---|
Tutorial | 2 |
Revision | 8 |
Wider reading or practice | 18 |
Teaching | 12 |
Completion of assessment task | 30 |
Lecture | 10 |
Follow-up work | 10 |
Seminar | 10 |
Preparation for scheduled sessions | 50 |
Total study time | 150 |
Resources & Reading list
Textbooks
Kerstin Schmidt (2005). The Theater of Transformation Postmodernism in American Drama. Rodopi.
S.E. Wilmer (2004). Theater, Society and the Nation: Staging American Identities. Cambridge: Cambridge University Press.
Jan Cohen-Cruz (2005). Local Acts: Community-Based Performance in the U.S.. New Brunswick, New Jersey, London: Rutgers UP.
David Edgar (1999). State of Play. London: Faber.
(2010). Engaging Performance: Theater as Call and Response. NY: Routledge.
Marc Maufort (1995). Staging Difference: Cultural Pluralism in American Theater and Drama. New York: Peter Lang.
Annette J Saddik (2007). Contemporary American Drama. Edinburgh University Press.
Jill Dolan (2005). The Feminist Spectator as Critic. University of Michigan Press.
Martin Middeken, Peter Paul Schnierer et al. (2014). The Methuen Drama Guide to Contemporary American Playwrights. London, NY: Bloomsbury.
Angela C. Pao (2010). No Safe Spaces: Re-Casting Race, Ethnicity, and Nationality in American Theatre. University of Michigan Press.
Ruby Cohn (1995). Anglo-American Interplay in Recent Drama. Cambridge University Press.
Carol Martin (2010). Dramaturgy of the Real on the World Stage. Basingstoke: Palgrave Macmillan.
David Krasner (2005). A Companion to Twentieth-Century American Drama. Oxford: Blackwell Publishing.
Jeffrey H. Richards and Heather S. Nathans, eds. (2014). The Oxford Handbook of American Drama. Oxford: Oxford University Press.
Alison Forsyth and Chris Megson (2009). Get Real: Documentary Theater Past and Present. Basingstoke: Palgrave Macmillan.
Dominic Dromgoole (2000). The Full Room. London: Methuen.
L. Bailey Mcdanie (2013). Constructing Maternal Performance in Twentieth-Century American Drama. Palgrave: Macmillan.
Christopher B. Balme (2008). The Cambridge Introduction to Theater Studies. Cambridge: Cambridge UP.
Assessment
Assessment strategy
The assessment on this module comprises two essays: a mid-semester and a final essay.Summative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Essay | 40% |
Essay | 60% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Essay | 100% |
Repeat
An internal repeat is where you take all of your modules again, including any you passed. An external repeat is where you only re-take the modules you failed.
Method | Percentage contribution |
---|---|
Essay | 100% |
Repeat Information
Repeat type: Internal & External