Module overview
Linked modules
FILM1001 or FILM2006 or FILM1020 or FILM1027 or FILM1020
Aims and Objectives
Learning Outcomes
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- Key theories and theoreticians of animation studies
- The intermedial relationships that have shaped animation
- Early, ‘Golden age’ and contemporary Hollywood animation
- Artists’ films that use animation techniques
- A range of (inter)national animation traditions
- Advertising and commercial use of animation
- A range of techniques used to produce animated films and the periods and countries they are commonly associated with
Subject Specific Intellectual and Research Skills
Having successfully completed this module you will be able to:
- Situate animation in the context of wider histories and theories of cinema and assess gaps in them relating to animation as an artistic practice and philosophical concept.
- Describe the economic and technological basis of a selection of animated works and relate this to their aesthetic and historical meaning.
- Discuss a variety of definitions of animation and relate their implications to provide readings of specific films.
- Position animated works within their cultural context and examine their place in the international history of animation.
- Apply the histories and theories studied on the module to provide readings of new animated works.
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- Independently research appropriate resources
- Communicate effectively
- Research and compose different forms of written essay/report
- Produce a competent critical analysis
Syllabus
Learning and Teaching
Teaching and learning methods
Type | Hours |
---|---|
Practical classes and workshops | 30 |
Seminar | 10 |
Preparation for scheduled sessions | 40 |
Completion of assessment task | 60 |
Lecture | 10 |
Total study time | 150 |
Resources & Reading list
General Resources
Great (1975). Film
Coraline (2009). Film
Kreise/Circles (1933-34). Film
Možnosti dialogu/Dimensions of Dialogue (1982). Film
The Adventures of Tintin: The Secret of the Unicorn (2011). Film
Neighbours (1952). Film
Fuji (1974). Film
Die Abenteuer des Prinzen Achmed/The Adventures of Prince Achmed (1926).
L'Illusionniste/The Illusionist (2010). Film
Kaze no Tani no Naushika/Nausicaä of the Valley of the Wind (1984). Film
Toy Story (1995). Film
Madeline (1952). Film
Frankenweenie (1984/2012). Film
The Cameraman's Revenge (1912). Film
Sen to Chihiro no kamikakushi/Spirited Away (2001). Film
Gerald McBoing-Boing (1951). Film
Bambi (1942). Film
Street of Crocodiles (1986). Film
Hotel E (1991). Film
A Colour Box (1935). Film
Please Say Something (2009). Film
Ghost in the Shell (1995). Film
Textbooks
Russett, Robert & Cecile Starr (1976). Experimental Animation. New York: Reinhold.
Furniss, Maureen (2008). Art in Motion. Animation Aesthetics (revised ed). Eastleigh: John Libbey.
Pilling, Jayne (ed.) (1997). A Reader in Animation Studies. Eastleigh: John Libbey.
Buchan, Suzanne (ed.) (2013). Pervasive Animation (AFI Film Readers Series). Abingdon: Routledge.
Crafton, Donald (2013). Shadow of a mouse: Performance, belief, and world-making in animation. Berkeley: University of California Press.
Eisenstein, Sergei, Jay Leyda, Alan Upchurch, and N. I. Kleiman (1986). Eisenstein on Disney. Calcutta: Seagull.
Wells, Paul (1998). Understanding Animation. Abingdon: Routledge.
Crafton, Donald (1982). Before Mickey. The Animated Film 1898-1928. Cambridge, MA: MIT Press.
Beckman, Karen (ed.) (2014). Animating Film Theory. Durham, NC: Duke University Press.
Sito, Tom (2013). Moving Innovation: A History of Computer Animation. Cambridge, MA: MIT Press.
Clements, Jonathan (2013). Anime: A History. London: British Film Institute.
Assessment
Summative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Essay | 50% |
Academic poster | 50% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Resubmit assessments | 100% |
Repeat
An internal repeat is where you take all of your modules again, including any you passed. An external repeat is where you only re-take the modules you failed.
Method | Percentage contribution |
---|---|
Resubmit assessments | 100% |
Repeat Information
Repeat type: Internal & External