Dr Dimitra Gkitsa

• Curatorial practices and discourse
• Collective and cultural memory 
• Arts infrastructure in spaces of tranisition and difficult pasts
• Post-socialist visual cultures and practices
• Migration, arts mobility and networks (especially those of Eastern Europe)

My research is inter-disciplinary and draws inspiration and methodologies from memory studies, affect theory and visual cultures, art and curatorial discourse and practice. My current research interests can be divided into three main themes:

• 1) Affective Commoning

My doctorate thesis, entitled Affective Commoning: Collective Curating in the Post-socialist Space, examined art collectives and collaborative practices in Albania, Serbia, and North Macedonia. This was developed by analysing the interventionist ways in which a younger generation of artists and curators in the region work with remnants of the post-socialist past, including public spaces, material objects, unofficial histories, and testimonies. In my thesis, I propose the term 'affective commoning' as a concept tool to describe a body of art and curatorial practices that common anew spaces and temporalities of the socialist past, transforming collective 'memory-work' into affective political action. I am currently preparing a monograph, based on this research. 

• 2) Ecologies of Decay and Post-industrial Landscapes

During my two-year research fellowship at the School of Slavonic and East European Studies (SSEES), University College London (UCL), I researched the legacy of post-industrialism in Albania. This was developed through three main entry points: a) collecting experiences and testimonies of local communities in rural areas; b) researching and influencing current cultural and economic policies on post-industrial heritage; c) examining artistic and curatorial interventions that work directly with the abandoned industrial sites through performances, photography, installations, and exhibitions. The aim of this research project was to shed light to a currently under-represented modern heritage of the socialist past in Albania and to investigate the ways in which the visual and material cultures of post-industrialism can help us to understand broader issues related to the social and political transformations that followed after socialism. As part of this project, in 2022 I organised the conference Ecologies of Decay: Modern Ruination in Global (Post)socialist Peripheries, which aimed to explore current entanglements with matters, materials, materialities of post-industrial landscapes, including issues of waste, memories, labour. The outcome of these conversations led to the creation of Post-matterialisms, an ongoing reading group that I co-facilitate. 

• 3) Visual Cultures of Migration and Migrant Cultures

I am currently interested in exploring further the ways in which migratory experiences affect cultural production, both when it comes to offering visibility and representability to difficult experiences and when it involves the development of informal solidarity networks, knowledge exchange and affective infrastructure in migrant places. I am currently developing new research in relation to the ways in which histories of Albanian migration have shaped contemporary art practices and issues of identity and belonging, particularly amongst second generations.