This is a list of Film PhD thesis supervised at Southampton, all of which are available via our University library. Many have since been published as books.
| Name | Title | Year |
| Beth Carroll (Film) | The Representation of Space in Musical Mumbers | 2015 |
|
Peri Bradley (Film) |
Altered states: the transforming body in contemporary film and TV | 2013 |
| Christopher Penfold (Film) | Elizaveta Svilova and Soviet documentary film | 2013 |
| Daniel O'Brien (Film) | Heroic masculinities : Evolution and Hybridisation in the Peplum Genre | 2012 |
| Sherry Xiaorui Xu (Film) | Hong Kong Cinema 1997-2007 | 2012 |
| Claudia Sandberg (Film) | The Films of Peter Lilienthal: Homeless by Choice | 2012 |
| Cecile Renaud (Film) | Selling French Films to British Audiences: 2001-2009 | 2012 |
| Matthew Nicholls (Film) | Interactions Between Contemporary American Independent Cinema and Popular Music Culture | 2012 |
| Amanda Field (Film) | Through the World Explode: Generic and Temporal Tensions in Sherlock Holmes on Screen 1939-1946 | 2009 |
| Mark Aldridge (Film) | British Television 1925-1936: Attitudes and Expectations | 2009 |
| Ingrid Stigsdotter (Film) | British Audiences and Approaches to European Cinema: Four case studies of responses to French and Swedish Film in the UK today | 2008 |
| Katia Maciel (Film) | Film, Popular Music and Television: Intertextuality in Contemporary Brazilian Cinema | 2008 |
| Christian Cargnelli (Film) | Osterreichische Filmschaffende im britischen Exil ab 1933 | 2008 |
| Kelly Robinson (Film) | British International Pictures and the Influence of German Cinematographers (1927-1936) | 2008 |
| Judith Petersen (Film/History) | The Holocaust on British Television: Shaping Collective Memory since 1945 | 2007 |
| Francoise Schiltz (Film) | The Future Re-visited: 1950s American Film Adaptations of Jules Verne Novels | 2007 |
| Anthony Todd (Film) | Auteurism and the Reception of David Lynch: Reading the author in post-classical American art cinema | 2005 |
| Karen Randell (English/Film) | Hysterical Hollywood: War Trauma in Film after the First World War and the Vietnam War | 2005 |
| Claire Hines (Film) | ‘Shaken not Stirred': James Bond Playboy and Changing Gender Roles in the 1960s | 2005 |
| James Jordan (English/History) | Bearing Witness to the Holocaust in the Courtroom of American Fictive Film | 2004 |
| Niamh Doheny (English/Film) | No Longer 'On the Outside Looking In': Oscar Micheaux's Role in the Construction of Black American Film Form | 2004 |
| Claudia Fellmer (Film/Modern Languages) | Stars in East German Cinema | 2003 |
| Jacqueline Furby (English) | Travelling Light: The Cinema as Time Machine | 2003 |
| Susan Holmes (Film) | The World of Cinema in your Home: The Film Programme on British Television 1952-1962 | 2002 |
| Petra Newman (History) | The Laugh of Merlin in Representations of the Holocaust: Fiction, Film and Television | 2002 |
| Christine Cornea (English) | Performing Cyborgs | 2001 |
| Helen Hanson (English) | Painted Women: Framing Portraits in Film Noir and the Gothic Woman's Film of the 1940s | 2001 |
