Books
Laughter between Two Revolutions: Opera buffa in Italy, 1831-1848, Eastman Studies in Music. Rochester: University of Rochester press, 2013.
Editions
Ottocento e oltre: Scritti in onore di Raoul Meloncelli, co-edited with Johannes Streicher. Rome: Editoriale Pantheon, 1993.
Music Editions
Giuseppe Verdi, Un giorno di regno. Critical Edition. The Works of Giuseppe Verdi 2. Chicago: University of Chicago Press and Milan: Ricordi, forthcoming 2015.
Luigi Luzzi, Sei romanze per voce e pianoforte. Bologna: Ut Orpheus Edizioni, 2003.
Michele Carafa, Calipso: scena lirica per soprano e pianoforte. Bologna: Ut Orpheus Edizioni, 1997.
Articles
‘Verdi, Solera, Piave, and the Libretto for Attila.’ Cambridge Opera Journal 21 (2009): 357–365.
‘William Henry Fry's Leonora: the Italian Connection.’ Nineteenth-Century Music Review 6 (2009): 7–25.
‘Verdi, the Virgin, and the Censor: The Politics of the Cult of Mary in I lombardi alla prima crociata and Giovanna d’Arco.’ Journal of the American Musicological Society 60 (2007): 557–97.
‘Donizetti's Don Pasquale and the Conventions of Mid-Nineteenth-Century Opera Buffa.’ Studi Musicali 33 (2004): 387–431.
‘Comedy Between Two Revolutions: Opera Buffa and the Risorgimento, 1831–1848.’ Journal of Musicology 21 (2004): 127–74.
‘Verdi's Un giorno di regno: Two Newly-Discovered Movements and Some Questions of Genre.’ Acta Musicologica 73 (2001): 165–88.
‘Lo sviluppo del pianoforte negli Stati Uniti dell’Ottocento: economia, società e cultura.’ Lo Spettacolo 44 (1994): 335–46.
‘Un americano a Parigi [L. M. Gottschalk].’ Piano Time No. 119 (July–August 1993): 68–71.
Book Chapters
‘Years in Prison: Giuseppe Verdi and Censorship in Pre-Unification Italy.’ In Oxford Handbook of Music Censorship, ed. Patricia Hall. New York: Oxford University Press, forthcoming 2014.
‘Censorship.’ In Oxford Handbook of Opera, ed. Helen M. Greenwald. New York: Oxford University Press, forthcoming 2014.
‘A Tale of Survival: Choral Music in Italy.’ In Nineteenth-Century Choral Music, ed. Donna M. Di Grazia. London: Routledge, 2012. 305–331.
‘Divas and Sonnets: Poetry for Female Singers in Teatri arti e letteratura.’ In The Arts of the Prima Donna in the Long Nineteenth Century, ed. Rachel Cowgill and Hilary Poriss. Oxford: Oxford University Press, 2012. 3–20.
‘Comic Sights: Stage Directions in Luigi Ricci’s Autograph Scores.’ In The Fashion and Legacy of Nineteenth-Century Italian Opera, ed. Hilary Poriss and Roberta M. Marvin. Cambridge: Cambridge University Press, 2010. 176–195.
‘Beaumarchais (and Da Ponte) Romanticized: Luigi Ricci’s Le nozze di Figaro.’ In D’une scène à l’autre: L’opéra italien en Europe, ed. Damien Colas and Alessandro di Profio. Liège: Mardaga, 2008. 201–16.
‘Michele Carafa e Le nozze di Lammermoor: Un oscuro precedente della Lucia.’ In Ottocento e oltre. Scritti in onore di Raoul Meloncelli, ed. Francesco Izzo and Johannes Streicher. Rome: Editoriale Pantheon, 1993. 161–93.
Conference Proceedings
‘“Ampollose e sgangherate poesie&rsquo”: Componimenti encomiastici per Rossini, 1829–1864.’ In “Alle più care immagini”: Atti del convegno di studi in memoria di Arrigo Quattrocchi, ed. Philip Gossett and Daniela Macchione. Milan: Il Saggiatore, forthcoming.
‘Suoni festivi: struttura e drammaturgia di un topos donizettiano.’ In Il teatro di Donizetti. Atti dei convegni delle celebrazioni 1797/1997-1848/1998, tome 3: Voglio amore, e amor violento: Studi di drammaturgia, ed. Livio Aragona e Federico Fornoni. Bergamo, Fondazione Donizetti, 2007. 195–208.
‘I cantanti e la recezione di Verdi nell'Ottocento: trattati e corrispondenza.’ In Verdi 2001: Atti del convegno internazionale, ed. Fabrizio Della Seta, Roberta Marvin and Marco Marica. Florence: Leo S. Olschki, 2003. 1:173–87.
‘Singing Fidelio: Some Questions of Vocal Writing and Performance Practice.’ In Fidelio/Leonore: Annäherungen an ein zentrales Werk des Musiktheaters, Kongreßbericht Salzburg 1996, ed. Peter Csobádi, Gernot Gruber et al. Anif-Salzburg: Verlag Ursula Müller-Speiser, 1998. 173–85.
‘Rachmaninoff in Italy: Criticism, Influence, Performance.’ Studies in Music from the University of Western Ontario 15 (1995): 75–86.
‘Feste, congiure e delitti in alcune opere serie di Gaetano Donizetti.’ In Und jedermann erwartet sich ein Fest: Fest, Theater, Festspiele, Kongreßbericht Salzburg 1995, ed. Peter Csobádi, Gernot Gruber et al. Anif-Salzburg: Verlag Ursula Müller-Speiser, 1996: 343–48.
‘Exoticism, Colonialism and Oppression in Italian Early Romantic Opera.’ In “Weine, weine du armes Volk!”. Das verführte und betrogene Volk auf der Bühne, Kongreßbericht Salzburg 1994, ed. Jürgen Kühnel and Ulrich Müller. Anif-Salzburg: Verlag Ursula Müller-Speiser, 1995. 317–26.
