About this course
At Southampton, English is an interdisciplinary course. You’ll see how literature connects with areas such as film, science, performance and politics. You can study everything from medieval travellers’ tales to modern fictions of globalisation.
English at Southampton is a degree where studying the rich history and flourishing present of literature opens out into explorations of history, politics, science, and visual media. This provides the critical skills necessary to interpret cultures from the past and shape those of tomorrow.
Our modules allow you to focus on literary genres and specific periods of literary history, with a wide choice of modules informed by the research interests of our academic staff including
- literature and the environment
- queer theory and fiction
- experimental performance poetry
- Arthurian legends across media
- Contemporary women's fiction
- Creative Writing
- Writing the Holocaust
Your studies will include critical analysis, presentations and group work. These will help you develop your independent conceptual thinking, communication and research skills.
As part of this programme you can:
- join one of 40 student-led performing arts groups
- take part in Writers in Conversation workshops
- use the unique collection of rare books at Chawton House Library and the Parkes Library and Archives
- learn a modern language at any level
- explore experimental writing with our Entropics events
- receive one-to-one tutorials on writing from our Royal Literary Fund Fellow
You'll have the opportunity to study abroad, spending a semester, a summer or even a full year at one of our global partner universities.
Year abroad
A year abroad will enhance your understanding of visual arts and let you experience a new culture. Going abroad | University of Southampton Our year abroad partner universities in Europe include.
Apply using:
- Course name: English with A Year Abroad
- UCAS code: Q301
Year in employment
Enhance your employability by taking this course with a paid industrial placement year.
Apply using:
- Course name: English with A Year In Employment
- UCAS code: 8088
You'll spend this extra year applying the skills and knowledge you've learned so far.
The fee is 20% of the standard annual tuition fee.
We regularly review our courses to ensure and improve quality. This course may be revised as a result of this. Any revision will be balanced against the requirement that the student should receive the educational service expected. Find out why, when, and how we might make changes.
Our courses are regulated in England by the Office for Students (OfS).
Course location
This course is based at Avenue.
Awarding body
This qualification is awarded by the University of Southampton.
Download the Course Description Document
The Course Description Document details your course overview, your course structure and how your course is taught and assessed.
Entry requirements
For Academic year 202526
A-levels
AAB including an essay writing subject
A-levels additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: History, English Language and Literature, English Language, English Literature, Drama and Theatre Studies, Modern Languages, Philosophy, Religious Studies, Classical Civilisation, Politics, Geography, Sociology, Latin or any other humanities-based essay writing subjects.
A-levels with Extended Project Qualification
If you are taking an EPQ in addition to 3 A levels, you will receive the following offer in addition to the standard A level offer: ABB including an essay writing subject and grade A in the EPQ.
A-levels contextual offer
We are committed to ensuring that all applicants with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise an applicant's potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
International Baccalaureate Diploma
Pass, with 34 points overall with 17 points at Higher Level, including 5 at Higher Level in English Literature or another relevant essay writing subject.
International Baccalaureate Diploma additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: History, English Language and Literature, English Language, English Literature, Drama and Theatre Studies, Modern Languages, Philosophy, Religious Studies, Classical Civilisation, Politics, Geography, Sociology, Latin or any other humanities-based essay writing subjects.
International Baccalaureate contextual offer
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
International Baccalaureate Career Programme (IBCP) statement
Offers will be made on the individual Diploma Course subject(s) and the career-related study qualification. The CP core will not form part of the offer. Where there is a subject pre-requisite(s), applicants will be required to study the subject(s) at Higher Level in the Diploma course subject and/or take a specified unit in the career-related study qualification. Applicants may also be asked to achieve a specific grade in those elements. Please see the University of Southampton International Baccalaureate Career-Related Programme (IBCP) Statement for further information. Applicants are advised to contact their Faculty Admissions Office for more information.
BTEC
Distinction, Distinction in the BTEC National Extended Diploma plus A in an A level essay writing subject or Distinction, Distinction in the BTEC National Diploma plus A in an A level essay writing subject or Distinction in the BTEC National Extended Certificate plus A in an A level essay writing subject and A in one further A level
RQF BTEC
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
Additional information
Essay writing subjects include: History, English Language and Literature, English Language, English Literature, Drama and Theatre Studies, Modern Languages, Philosophy, Religious Studies, Classical Civilisation, Politics, Geography, Sociology, Latin or any other humanities-based essay writing subjects.
QCF BTEC
Distinction, Distinction in the BTEC Extended Diploma plus A in an A level essay writing subject or Distinction, Distinction in the BTEC Diploma plus A in an A level essay writing subject or Distinction in the BTEC Subsidiary Diploma plus A in an A level essay writing subject and A in one further A level
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
Access to HE Diploma
60 credits with a minimum of 45 credits at Level 3, of which 39 must be at Distinction and 6 credits at Merit, to include 6 Distinctions in an essay writing subject.
Access to HE additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: History, English Language and Literature, English Language, English Literature, Drama and Theatre Studies, Modern Languages, Philosophy, Religious Studies, Classical Civilisation, Politics, Geography, Sociology, Latin or any other humanities-based essay writing subjects.
Irish Leaving Certificate
Irish Leaving Certificate (first awarded 2017)
H1 H2 H2 H2 H2 H2 -including as essay writing subject
Irish Leaving Certificate (first awarded 2016)
A2 A2 A2 B1 B1 B1 including English or a related subject*
Irish certificate additional information
Essay writing subjects include: History, English Language and Literature, English Language, English Literature, Drama and Theatre Studies, Modern Languages, Philosophy, Religious Studies, Classical Civilisation, Politics, Geography, Sociology, Latin or any other humanities-based essay writing subjects.
Scottish Qualification
Offers will be based on exams being taken at the end of S6. Subjects taken and qualifications achieved in S5 will be reviewed. Careful consideration will be given to an individual’s academic achievement, taking in to account the context and circumstances of their pre-university education.
Please see the University of Southampton’s Curriculum for Excellence Scotland Statement (PDF) for further information. Applicants are advised to contact their Faculty Admissions Office for more information.
Cambridge Pre-U
D3 D3 M2 in three principal subjects including an essay based subject.
Cambridge Pre-U additional information
Essay writing subjects include: History, English Language and Literature, English Language, English Literature, Drama and Theatre Studies, Modern Languages, Philosophy, Religious Studies, Classical Civilisation, Politics, Geography, Sociology, Latin or any other humanities-based essay writing subjects.
Welsh Baccalaureate
AAB from 3 A levels including an essay writing subject or AA from two A levels including an essay writing subject and B from the Advanced Welsh Baccalaureate Skills Challenge Certificate
Welsh Baccalaureate additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: History, English Language and Literature, English Language, English Literature, Drama and Theatre Studies, Modern Languages, Philosophy, Religious Studies, Classical Civilisation, Politics, Geography, Sociology, Latin or any other humanities-based essay writing subjects.
Welsh Baccalaureate contextual offer
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
T-Level
Not accepted for this course.
Other requirements
GCSE requirements
Applicants must hold GCSE English language (or GCSE English) (minimum grade 4/C) and mathematics (minimum grade 4/C)
Find the equivalent international qualifications for our entry requirements.
English language requirements
If English isn't your first language, you'll need to complete an International English Language Testing System (IELTS) to demonstrate your competence in English. You'll need all of the following scores as a minimum:
IELTS score requirements
- overall score
- 6.5
- reading
- 6.0
- writing
- 6.0
- speaking
- 6.0
- listening
- 6.0
We accept other English language tests. Find out which English language tests we accept.
If you don’t meet the English language requirements, you can achieve the level you need by completing a pre-sessional English programme before you start your course.
You might meet our criteria in other ways if you do not have the qualifications we need. Find out more about:
- our Ignite your Journey scheme for students living permanently in the UK (including residential summer school, application support and scholarship)
- skills you might have gained through work or other life experiences (otherwise known as recognition of prior learning)
Find out more about our Admissions Policy.
Got a question?
Please contact our enquiries team if you're not sure that you have the right experience or qualifications to get onto this course.
Email: enquiries@southampton.ac.uk
Tel: +44(0)23 8059 5000
Course structure
Our course structure is exciting and varied. It will encourage you to think about what texts do in the world whilst studying a wide range of writing, from the medieval period to the present day. You'll also have the opportunity to choose from a selection of creative writing modules as part of your English degree.
Each year is made up of a combination of compulsory and optional modules. The first year provides you with a good foundation in the key forms and debates in English literature, with increased choice and opportunities to specialise in Years 2 and 3.
You'll also be able to broaden your degree by choosing:
- modules in different subject areas in years 2 and 3
- to take a minor subject alongside English
- to study abroad for a year or a semester
- to spend a year in employment.
Year 1 overview
In the first semester, you'll take four compulsory modules which will give you a solid grounding in literature from the medieval period to our contemporary moment. You'll think about how literature in English has been shaped throughout its history by cross-cultural global exchanges and movements.
You'll study different genres, including:
- poetry
- the essay
- the novel
In the second semester, your core module will allow you to explore the origins of the idea of English literature as we know it today. You'll choose three further modules, including one offered by another discipline or an interdisciplinary subject.
Year 2 overview
You'll take two further core modules to build your knowledge in key areas of English literary study:
- Revolutions in English literature (Semester One)
- The Worlding of English Literature (Semester Two)
Your other modules in each semester will be optional. The choices will vary from year to year and will always include a range of topics, forms, and genres from different periods. You can replace one module in each semester with another module from the School of Humanities or the wider University, or you can begin to study for a minor in another subject.
If you've chosen to study the year abroad option, you'll be required to take an extra preparation module during semester two.
To be eligible for the year in employment option, you must pass Year 2 on the first attempt.
Year 3 overview
In Year 3 you can customise your degree according to your interests. You can choose from a range of optional modules or teaching creative writing in schools, which includes a voluntary work placement.
In your second semester, you'll build on the subject and methodological expertise you developed in Years 1 and 2 to independently research and write your dissertation. Your dissertation allows you to research and write about, in detail, any aspect of literary study that interests you.
With guidance from a supervisor you'll:
- formulate a research question
- explore your own literary or creative topic
- develop a distinctive argument or creative project.
If you're taking the year abroad option, you'll take your year away in Year 3, and return to do your ‘third year’ modules in your fourth year. You'll also be required to complete the 'Residence Abroad Portfolio' module. To pass this you'll need to complete a series of blogs and a final report. Both these modules are assessed on a pass/fail basis.
The year in employment requires you to complete a minimum of 30 weeks of work (not including holidays) during your third year and submit a final reflective report. You'll return to complete your ‘third-year’ modules and dissertation in your fourth year.
Want more detail? See all the modules in the course.
Modules
The modules outlined provide examples of what you can expect to learn on this degree course based on recent academic teaching. As a research-led University, we undertake a continuous review of our course to ensure quality enhancement and to manage our resources. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand. Find out why, when and how we might make changes.
For entry in academic year 2025 to 2026
Year 1 modules
You must study the following modules in year 1:
English on the Move
English has always been on the move. As a literary language, it has not only travelled from and back to England; lines of influence between texts, authors, publishers, editors, book technologies, and readers traverse the globe in multiple directions, bet...
Poetic Language
How do we read poems, and what language can we use to describe our readings? This module will provide a detailed introduction to the particular qualities your ear, eye and brain will need to read poetry more effectively. You will study key features of poe...
The Act of the Essay
This module focuses on the essay as a critical practice and a literary form. The essay is fundamental to literary criticism, and basic to assessment across your degree. But the essay is also a literary and popular-cultural genre in its own right: one that...
The Invention of English Literature: Medieval to Early Modern
Where did the idea of ‘English Literature’ as we know it today come from? When and how did writers first start thinking of themselves as English authors? How did the mechanisms of book production and the material forms of books shape readers’ understandin...
The Novel
‘A novel does not assert anything; a novel searches and poses questions’. The contemporary novelist Milan Kundera describes the novel as an exploratory and engaging form, a way of telling stories that involves readers both in its searches and in the quest...
You must also choose from the following modules in year 1:
Literary Transformations
Why have some stories gripped the imagination of writers, musicians, and artists across cultures and centuries? And what does the emergence and constant re-emergence of such stories tell us about ourselves and others, past and present? What do readers and...
Theory & Criticism
The module asks big questions. What do we do when we interpret literature and culture, and how can we analyse our practices of interpretation? Can anything be a text, and if so what do we understand by ‘literature’? How does literature shape our identity,...
World Dramas
In this module, you will learn how to approach dramatic texts in a way that takes into consideration their place in the world as a complex political, economic, and cultural network. We will focus on questions such as: • What is the difference between r...
Year 2 modules
You must study the following modules in year 2:
Humanities Study Abroad Preparation Module
This module will prepare you for study abroad and also take you through the application process for study abroad. Before you travel, you are required to take out appropriate insurance policies and engage in on-going monitoring of risk and this module will...
Revolutions in English Literature
Revolutions would break, remake, and reform societies on both sides of the Atlantic from the disruptions of the English Civil War to the global conflicts of the Napoleonic Empire. Revolutions may be those sudden changes in political life that men have tra...
The Worlding of English Literature
Since 1800, new modes of transport and communication, commerce and violence, have remade the world. As empires expanded and contracted, and as the relationships between states and individuals were repeatedly reconfigured and tested, ways of conceptualisin...
Year Abroad Report Module for Humanities Students
This non-credit bearing module is a required element for all Humanities students on a Year Abroad Programme. It builds on the Year Abroad preparation module, HUMA2012. It is taken as a long thin single module whilst on the Year Abroad with a two hour prep...
Year in Employment
The Year in Employment (YiE) is an opportunity for undergraduate students across a range of programmes to undertake a placement year whilst remaining enrolled to the University of Southampton. Students complete their placement after their second year of s...
You must also choose from the following modules in year 2:
African Freedoms and The Novel
In Africa, the ideal of freedom has the capacity to evoke multiple layers of struggle and aspiration: from state decolonisation and the end of official racial segregation, to gendered, national, economic and spiritual freedoms. Historically, the novel has...
Brief Encounters: Writing Short Stories
Many writers begin with the short story. Through writing short stories they are able to experiment, learn the fundamentals of narrative composition, and have the satisfaction of completing something to a high standard in a relatively short period of time....
Children's Literature
Children's literature is a rather slippery term encompassing a variety of genres, child/adult concerns, engagement with historical/contextual issues on, for example, gender; class; nonsense; the nature of time; slavery. Other issues addressed are subject...
Decolonising Modernity
Literary history is often told in epochs. In particular, it can be useful to understand the world in relation to some or other idea of “modernity”: for example, English literary studies is often organised through conceptions of the early modern, the mode...
Experiment!
What does it mean to make literature new? What forms and reformations have offered starting points for rethinking literary convention? In this module, you will explore the revolutions, innovations, and boundary-crossings that have taken place in literatur...
Great Writers Steal: Creative Writing and Critical Thinking
Many writers have penned essays about fiction and memoir: E.M. Forster, Virginia Woolf, Henry James, Edith Wharton, Italo Calvino, Vladimir Nabokov, Milan Kundera, A.L. Kennedy, A.S. Byatt, to name just a famous few. Indeed, it seems essential at some p...
How the Arts Work: A Practical Introduction to Cultural Economics
How are the arts getting back to work again after Covid-19? This is a critically important question for everyone who cares about them, artists and audiences alike. If you’re a student considering a career in the arts you’ll want to know where fresh opport...
Images of Women
Cultural representations of women shed important light on notions of female subjectivity, sexuality and racial identity in the modern world. Medical discourses on gender, mental pathology and the rise of modern feminism are just some of the pivotal histor...
Inventing America
This module studies writing and visual representation in the early years of the republic of the United States. Focusing on the period from shortly before the American Revolution to the early years of the nineteenth century, this module will introduce stud...
Queens, Devils and Players in Early Modern England
Early modern England is a period associated with Elizabeth I and the Tudor court, the plays of Shakespeare, blood and violence on the Jacobean stage, the discovery of new worlds, and the persecution of witches and heretics. The diversity and vitality of t...
Queering the Digital
In this module, we will investigate and reflect on the various entanglements between Queerness and digital technologies. Drawing from foundational concepts in Queer theory and gender studies scholarship, this module deconstructs and reconceptualises domin...
Romantics and Victorians
In 1831 the philosopher John Stuart Mill struggled to define the ‘Spirit’ of the nineteenth century. ‘It is’, he wrote, ‘an age of transition. Mankind have outgrown old institutions and old doctrines, and have not yet acquired new ones.’ If the nineteenth...
Scriptwriting
Dialogue, pace, setting, and story. Understanding the nuts of bolts of scriptwriting is not only key to a successful piece of theatre, cinema, or radio, but to all forms of creative writing or literary analysis. This course will introduce you to the art o...
Songs of the Earth: Landscapes and Environments of Early Medieval England
How did people in early medieval England think, feel, and write about the world they inhabited? In what sorts of ways did literature and other forms of texts shape their engagements with landscapes, environments, and the beings – real and imagined – with ...
Speech Acts
How do writers activate and amplify the sonic properties of language? Why do artists use vocal performance of text in video art? How can text ‘perform’ on the page (or onscreen), and what does it mean for language to be performative? What does writing for...
Sweatshops, Sex workers, and Asylum Seekers: World Literature and Visual Culture after Globalisation
What can the voices and narratives of sex workers and asylum seekers depicted in world literature and visual culture tell us about the conditions and pressures of life in the contemporary world? How might considerations of narrative technique, genre, and ...
The Early Modern Body
In this module, students will explore a wealth of different texts and different discourses, from the literary to the scientific, on humanity and the human body in the early modern period. Starting with a glimpse of ancient and modern visions of the body, ...
The Life and Afterlife of the Vikings
Blood, violence, terror, raids, pirates, rape and pillage are just some of the words associated with the Vikings in both the medieval and modern imagination. Their fearsome reputation is underlined by nicknames such as ‘Blood Axe' and ‘Skull-splitter', bu...
Year 3 modules
You must study the following module in year 3:
You must also choose from the following modules in year 3:
Burning Worlds, Drowning Worlds: Oil Cultures, Climate Crisis, and Traumatic Desires in World Literatures
We keep being barraged with a deluge of unnerving news - about environmental crisis, multi-level pollution, exceeding desertification and inundation of centuries-long places of human habitation, floods, forest fires, relentless rise in sea-level due to t...
American Gothic
As the Puritan colonialist John Winthrop said at Holyrood Church in Southampton before embarking for Boston, American was to be ‘as a city upon a hill’, a beacon of progress and enlightenment for the world. But from the beginning, America has been shadowe...
Animal Forms: poetry and the non-human
What can animals teach us about the human and non-human? What do the creative forms we use to describe them show us about human form and the other? In this module, you will read a range of poetic and critical material which explores the porous boundaries ...
Authoring Austen: Writing, Reception and Adaptation
Jane Austen’s global appeal in the twenty-first century has been shaped by the ways that she has been read in the 200 years since her death. In this module, you will read Austen's novels, letters, and unpublished juvenile fiction, and explore some of the ...
Creative Writing in Schools
Are you interested in helping young people study English? This module will introduce you to teaching creative writing in secondary schools by providing training in effective classroom management and guidance on designing lesson plans for studying fiction ...
Fantasy Film and Fiction
Fantasy film and fiction spans a wide range of texts, from Gothic 'classics' and feminist fairy tales, to Utopian literature and musicals. Analysing fantasy texts alongside psychoanalytic and cultural theories will enable you to engage with questions conc...
Holocaust Literature
How has the Holocaust been represented? We will examine a range of responses to the Holocaust from the 1940s to the present day, including memoirs of camp survivors and experimental texts. Focusing on the limits of representation we will approach question...
Playmakers, or, How to Have Fun in Early Modern England
This module asks: How can the different places and ways people had fun in the late sixteenth and seventeenth centuries shape the way we read literature today? Early modern England had a vibrant entertainment scene that was not limited to the likes of the ...
Sex, Pleasure and African Literature
Contemporary African literature is about pleasure and beauty, as much as it is about the continent’s struggle for social justice and decolonisation. In the past two decades, African novels have won critical acclaim by telling stories about modern lives th...
Shakespeare Then and Now
Has Shakespeare aged well? From the boys in wigs on the Elizabethan stage to the digital wizardry of the twenty-first century, the technology as well as the ideology that informs Shakespearean performance keeps evolving—sometimes in unexpected ways. This ...
Songs of the Earth: Landscapes and Environments of Early Medieval England
How did people in early medieval England think, feel, and write about the world they inhabited? In what sorts of ways did literature and other forms of texts shape their engagements with landscapes, environments, and the beings – real and imagined – with ...
Telling True Stories: Narrative Non-Fiction
Narrative non-fiction is one of the most exciting areas of contemporary writing. After many years of being seen as having lower artistic status than fiction, a hugely diverse range of memoir, autofiction, essay collections, and historical writing has draw...
The Origins of Climate Crisis: Ecology in Victorian Literature
Are we living in an age of climate change or climate crisis? In her 2019 speech to the World Economic Forum, Greta Thunberg famously declared “Our house is on fire”: a statement underscored by the Australian bushfire crisis of 2020 and the mass devastatio...
Utopias and Dystopias in Literature and Culture
From Plato’s Republic and Thomas More’s Utopia to Margaret Atwood’s Handmaid’s Tale and Philip Roth’s The Plot Against America, utopias have always been haunted by the spectre of the dystopian. If utopias imagine alternative ways of organizing society, dy...
Writing Queerness
Once upon a time, no one called themselves queer; now it names everything from a kind of person to a type of weather. Queerness seems necessary, ubiquitous, paradoxical – but why? Ranging from the eighteenth century to the present day, this module will ex...
Writing the Novel
The essential elements of writing a novel include crafting beginnings and endings, constructing characters, manipulating structure and plot, and developing an intimate relationship with language. Writing exercises and discussions of work in progress will ...
Learning and assessment
The learning activities for this course include the following:
- lectures
- classes and tutorials
- coursework
- individual and group projects
- independent learning (studying on your own)
Course time
How you'll spend your course time:
Year 1
Study time
Your scheduled learning, teaching and independent study for year 1:
How we'll assess you
- blogs
- creative projects
- dissertations
- essays
- individual and group projects
- module journals
- portfolios
- self-assessment
- teamwork
- written exams
Your assessment breakdown
Year 1:
Year 2
Study time
Your scheduled learning, teaching and independent study for year 2:
How we'll assess you
- blogs
- creative projects
- dissertations
- essays
- individual and group projects
- module journals
- portfolios
- self-assessment
- teamwork
- written exams
Your assessment breakdown
Year 2:
Year 3
Study time
Your scheduled learning, teaching and independent study for year 3:
How we'll assess you
- blogs
- creative projects
- dissertations
- essays
- individual and group projects
- module journals
- portfolios
- self-assessment
- teamwork
- written exams
Your assessment breakdown
Year 3:
Academic support
You’ll be supported by a personal academic tutor and have access to a senior tutor.
Course leader
Alice Hunt is the course leader.
Careers and employability
Employability skills
This degree will allow you to develop and evidence subject-specific and targeted employability skills. This includes the required skill set for a range of future careers, further study, or starting your own business.
The skills you can expect to focus on and gain from this course include:
- Research
- Critical thinking
- Self-management
- Confidence
- Communication
- Creativity
- Problem solving
- Resilience
The employability and enterprise skills you'll gain from this course are reflected in the Southampton skills model. When you join us you'll be able to use our skills model to track, plan, and benefit your career development and progress.
Download skills overview
Career pathways
Graduates commonly work in a range of organisations or sectors including:
Book sellers and publishers,
Local Council Libraries,
universities,
Education Providers,
media groups,
magazine and newspapers,
local and national government.
- Digital copywriter
- Editorial assistant
- Journalist
- Copy editor
- Proofreader
- Secondary school teacher
- Web content manager
- Writer
- Social media content creator
- English as a foreign language teacher
- Academic librarian
- Advertising copywriter
- Arts administrator
- Education consultant
- Information officer
- Marketing executive
- Media researcher
- Primary school teacher
- Public relations officer
- Social media manager
- Editorial assistant
- Customer experience adviser
- Campaign planner
- Content coordinator
- Copy writer
- Editor
- Public relations and communications analyst
- Publishing assistant
- Sales and marketing assistant
- Human resources management trainee
Job prospects for BA English graduates
*Example graduate job titles and job prospect statistics taken from The Graduate Outcomes Survey, which gathers information about the activities and perspectives of graduates 15 months after finishing their course.
Year in employment
You can apply for a year in employment placement on this course. This is a great way to improve your employability and confidence in your career prospects. Recommended by 100% of students who've taken part, you can apply for a UK or global placement in any sector.
Careers services and support
We are a top 20 UK university for employability (QS Graduate Employability Rankings 2022). Our Careers, Employability and Student Enterprise team will support you. This support includes:
- work experience schemes
- CV and interview skills and workshops
- networking events
- careers fairs attended by top employers
- a wealth of volunteering opportunities
- study abroad and summer school opportunities
We have a vibrant entrepreneurship culture and our dedicated start-up supporter, Futureworlds, is open to every student.
Your career ideas and graduate job opportunities may change while you're at university. So it is important to take time to regularly reflect on your goals, speak to people in industry and seek advice and up-to-date information from Careers, Employability and Student Enterprise professionals at the University.
Fees, costs and funding
Tuition fees
Fees for a year's study:
- UK students pay £9,535.
- EU and international students pay £24,200.
What your fees pay for
Your tuition fees pay for the full cost of tuition and standard exams.
Find out how to:
Accommodation and living costs, such as travel and food, are not included in your tuition fees. There may also be extra costs for retake and professional exams.
Explore:
Bursaries, scholarships and other funding
If you're a UK or EU student and your household income is under £25,000 a year, you may be able to get a University of Southampton bursary to help with your living costs. Find out about bursaries and other funding we offer at Southampton.
If you're a care leaver or estranged from your parents, you may be able to get a specific bursary.
Get in touch for advice about student money matters.
Scholarships and grants
You may be able to get a scholarship or grant to help fund your studies.
We award scholarships and grants for travel, academic excellence, or to students from under-represented backgrounds.
Support during your course
The Student Hub offers support and advice on money to students. You may be able to access our Student Support fund and other sources of financial support during your course.
Funding for EU and international students
Find out about funding you could get as an international student.
How to apply
What happens after you apply?
We will assess your application on the strength of your:
- predicted grades
- academic achievements
- personal statement
- academic reference
We'll aim to process your application within 2 to 6 weeks, but this will depend on when it is submitted. Applications submitted in January, particularly near to the UCAS equal consideration deadline, might take substantially longer to be processed due to the high volume received at that time.
Equality and diversity
We treat and select everyone in line with our Equality and Diversity Statement.
Got a question?
Please contact our enquiries team if you're not sure that you have the right experience or qualifications to get onto this course.
Email: enquiries@southampton.ac.uk
Tel: +44(0)23 8059 5000